Keller Easterling
Critical Spatial Practice 4
Subtraction
Silke Otto-Knapp
Questions of Travel
J. Parker Valentine
Fiction
e-flux journal
Jalal Toufic
Forthcoming
Second edition
Peacocks with Hiccups
Poetic Series #2
Hito Steyerl
Too Much World
The Films of Hito Steyerl
Armen Avanessian, Andreas Töpfer
Speculative Drawing: 2011–2014
Forensis
The Architecture of Public Truth
Melissa Gordon
Material Evidence
Ion Grigorescu
Diaries 1970–1975
Brian O’Doherty
The Crossdresser’s Secret
Beatriz Colomina
Critical Spatial Practice 3
Manifesto Architecture: The Ghost of Mies
Georg Schöllhammer, Ruben Arevshatyan (Eds.)
Sweet Sixties
Specters and Spirits of a Parallel Avant-Garde
Stuart Bailey, Angie Keefer, David Reinfurt (Eds.)
Bulletins of the Serving Library #6
Hans Ulrich Obrist
Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground
Brian Dillon
Objects in This Mirror
Kim Gordon
Is It My Body?
Selected Texts
Martin Herbert
The Uncertainty Principle
Nina Canell
Stray Warmings
Jan Verwoert
COOKIE!
Model House Research Group (Ed.)
Transcultural Modernisms
Alessandro Petti, Sandi Hilal, Eyal Weizman
Architecture after Revolution
Petra Reichensperger (Ed.)
Terms of Exhibiting (from A to Z) /
Begriffe des Ausstellens (von A bis Z)
Peter Wächtler
Come On
Haegue Yang
Dare to Count Phonemes and Graphemes
Jakob Schillinger (Ed.)
The Sixth Year
Issa Samb
WORD! WORD? WORD!
Issa Samb and the Undecipherable Form
Aleksandra Mir
The Space Age
Ion Grigorescu
Omul cu o singur camer / The Man with a Single Camera
Geta Brătescu
Atelierul | The Studio
Andrea Pichl
Andrea Pichl
Daniel Maier-Reimer
The Italian Journeys of
Four Walks by Daniel Maier-Reimer, 2012–2013
Rémy Zaugg
The Art Museum of My Dreams
or A Place for the Work and the Human Being
Chantal Pontbriand
The Contemporary, the Common
Art in a Globalizing World
Kirsty Bell
The Artist’s House
From Workplace to Artwork
Attention Economy
Jahresring #60: Jahrbuch für moderne Kunst
The Atlantis Search Engine
Poetic Series #1
John Smith
John Smith
Nina Möntmann (Ed.)
Scandalous
A Reader on Art and Ethics
Gavin Butt, Irit Rogoff
Visual Cultures as Seriousness
Astrid Schmetterling, Lynn Turner
Visual Cultures as Recollection
Jorella Andrews, Simon O'Sullivan
Visual Cultures as Objects and Affects
Gelatin
Loch
Barry Schwabsky
Words for Art
Criticism, History, Theory, Practice
e-flux journal
Martha Rosler
Culture Class
Deborah Ligorio
Survival Kits
Karen van den Berg, Ursula Pasero (Eds.)
Art Production beyond the Art Market?
Zin Taylor
Lichen Voices/Stripes and Dots
Douglas Coupland
Shopping in Jail
Ideas, Essays, and Stories for the Increasingly Real Twenty-First Century
Ekaterina Degot, David Riff (Eds.)
Monday Begins on Saturday
Anaël Lejeune, Olivier Mignon, Raphaël Pirenne (Eds.)
French Theory and American Art
Sven Lütticken
History in Motion
Time in the Age of the Moving Image
Diedrich Diederichsen, Anselm Franke (Eds.)
The Whole Earth
California and the Disappearance of the Outside
Cerith Wyn Evans
The What If?... Scenario (after LG)
Stuart Bailey, Angie Keefer, David Reinfurt (Eds.)
Bulletins of The Serving Library #5
Kate Newby
Let the other thing in
Marie-Louise Ekman
No Is Not an Answer
On the Work of Marie-Louise Ekman
Milena Hoegsberg, Cora Fisher (Eds.)
Living Labor
Marysia Lewandowska, Laurel Ptak (Eds.)
Undoing Property?
Ingo Niermann (Ed.)
Solution 247–261
Love
Greg Lynn (Ed.)
Archaeology of the Digital
Hilke Wagner, Axel Wieder (Eds.)
Susanne Kriemann
Alex Coles, Catharine Rossi (Eds.)
EP Vol. 1
The Italian Avant-Garde: 1968–1976
Joanna Warsza (Ed.)
Ministry of Highways
A Guide to the Performative Architecture of Tbilisi
Donatien Grau
The Age of Creation
Dénes Farkas
Evident in Advance
Joshua Simon
Neomaterialism
Gardar Eide Einarsson
Versuchsstation des Weltuntergangs
Mara Ambrožič, Angela Vettese (Eds.)
Art as a Thinking Process
Visual Forms of Knowledge Production
Thomas Thiel (Ed.)
Schaubilder
Thomas Keenan, Tirdad Zolghadr (Eds.)
The Human Snapshot
Dorothee Böhm, Petra Lange-Berndt, Dietmar Rübel (Eds.)
A World of Wild Doubt
Charlotte Birnbaum
On the Table
Pies, Pâtés, and Pastries: Secrets Old and New of the Art of Cooking
T. J. Demos
Return to the Postcolony
Specters of Colonialism in Contemporary Art
Jos de Gruyter & Harald Thys
Optimundus
M HKA 08 02 13 - 19 05 13
Marcel Duchamp/Ulf Linde
De ou par Marcel Duchamp par Ulf Linde
Mai Abu ElDahab (Ed.)
Behave Like an Audience
Apolonija Šušteršič
Selected Projects, 1995–2012
Clara Meister (Ed.)
Compilation of Translations: One Year at Ludlow 38
Jorge Pardo
Tecoh
Beatrice Gibson
The Tiger's Mind
Sharon Lockhart
Sharon Lockhart | Noa Eshkol
Stuart Bailey, Angie Keefer, David Reinfurt (Eds.)
Bulletins of the Serving Library #4
Futurefarmers
A Variation on Powers of Ten
Ruth Buchanan
The weather, a building
Markus Miessen, Chantal Mouffe
Critical Spatial Practice 2
The Space of Agonism
Lene Berg
Lene Berg
Katja Gretzinger (Ed.)
In a Manner of Reading Design
Maria Fusco, Ursula Mayer
Gonda
Jessica Warboys
Vanelephant
Zak Kyes
Zak Kyes Working With...
Steve Rushton
Masters of Reality
Omer Fast
5,000 Feet Is the Best
Isabelle Graw, Daniel Birnbaum, Nikolaus Hirsch (Eds.)
Thinking through Painting
Reflexivity and Agency beyond the Canvas
Tirdad Zolghadr
Plot
Tom McCarthy, Simon Critchley, et al.
The Mattering of Matter
Documents from the Archive of the International Necronautical Society
Valérie Knoll, Hannes Loichinger, Magnus Schäfer (Eds.)
Dealing with—Some Texts, Images, and Thoughts Related to American Fine Arts, Co.
Hito Steyerl
e-flux journal
The Wretched of the Screen
Nikolaus Hirsch, Markus Miessen (Eds.)
Critical Spatial Practice 1
What Is Critical Spatial Practice?
Fabian Marti, Cristina Ricupero (Eds.)
Cosmic Laughter No. 1
Triple Canopy (Ed.)
Invalid Format
An Anthology of Triple Canopy, Vol. 2
Beatrice von Bismarck, Jörn Schafaff, Thomas Weski (Eds.)
Cultures of the Curatorial
Stuart Bailey, Angie Keefer, David Reinfurt (Eds.)
Bulletins of The Serving Library #3
Mai Abu ElDahab (Ed.)
After Berkeley
Objectif Exhibitions, 2010–2011
Keren Cytter
D.I.E. Now
The True Story of John Webber and His Endless Struggle with the Table of Content
Jonatan Habib Engqvist, Annika Enqvist, Michele Masucci, Lisa Rosendahl, Cecilia Widenheim (Eds.)
Work, Work, Work
A Reader on Art and Labour
Akram Zaatari
A Conversation with an Imagined Israeli Filmmaker Named Avi Mograbi
Erik Niedling with Ingo Niermann
The Future of Art: A Diary
Boris Groys (Ed.)
e-flux journal
Moscow Symposium
Conceptualism Revisited
Johanna Burton, Lynne Cooke, Josiah McElheny (Eds.)
CCS Readers: Perspectives on Art and Culture
Interiors
Juliane Rebentisch
Aesthetics of Installation Art
Maria Lind (Ed.)
Performing the Curatorial
With and Beyond Art
Actors, Agents and Attendants
Social Housing—Housing the Social: Art, Property and Spatial Justice
Maria Loboda
Oh, Wilderness
Simon Starling / Superflex
Reprototypes, Triangulations and Road Tests
Paul Sietsema
interviews on films and works
Nikolaus Hirsch, Shveta Sarda (Eds.)
Cybermohalla Hub
Martin Beck
The Aspen Complex
Matthias Ulrich (Ed.)
Playing the City: Interviews
Yorgos Sapountzis
A statue has remembered me / Eine Statue hat sich an mich erinnert
Marianne Heier
Surplus
Alex Coles
The Transdisciplinary Studio
Tobias Spichtig
Blue, Red, and Green
Eva Grubinger
Decoy
bankleer
finger in the pie
Thomas Keenan, Eyal Weizman
Mengele's Skull: The Advent of a Forensic Aesthetics
Charlotte Birnbaum (Ed.)
On the Table
The Beauty of the Fold: A Conversation with Joan Sallas
Raimundas Malašauskas
Paper Exhibition
Selected Writings by Raimundas Malašauskas
Carson Chan, Nadim Samman (Eds.)
Higher Atlas/Au-delà de l’Atlas
The Marrakech Biennale [4] in Context
Charlotte Moth
Bleckede 2009 / Rochechouart 2011
Stuart Bailey, Angie Keefer, David Reinfurt (Eds.)
Bulletins of The Serving Library #2
Maria Lind, Olav Velthuis (Eds.)
Contemporary Art and Its Commercial Markets
A Report on Current Conditions and Future Scenarios
Flaca / Tom Humphreys
Flaca / Tom Humphreys
Tariq Ramadan
On Super-Diversity
Eva Grubinger, Jörg Heiser (Eds.)
Sculpture Unlimited
Hassan Khan
The Agreement
Five Stories by Hassan Khan
Design Act
Socially and Politically Engaged Design Today—Critical Roles and Emerging Tactics
Isabelle Graw, Daniel Birnbaum, Nikolaus Hirsch (Eds.)
Art and Subjecthood
The Return of the Human Figure in Semiocapitalism
Markus Miessen, Andrea Phillips (Eds.)
Actors, Agents and Attendants
Caring Culture: Art, Architecture and the Politics of Health
Synne Bull, Marit Paasche (Eds.)
Urban Images
Unruly Desires in Film and Architecture
Tauba Auerbach
Folds
Martti Kalliala with Jenna Sutela and Tuomas Toivonen
Solution 239–246
Finland: The Welfare Game
Chris Evans
Goofy Audit
Binna Choi, Axel Wieder (Eds.)
Casco Issues XII: Generous Structures
Mai Abu ElDahab, Binna Choi, Emily Pethick (Eds.)
Circular Facts
Antje Majewski
The World of Gimel
How to Make Objects Talk
Juan A. Gaitán, Nicolaus Schafhausen, Monika Szewczyk (Eds.)
Cornerstones
Ingo Niermann with Erik Niedling
The Future of Art: A Manual
Mai Abu ElDahab (Ed.)
From Berkeley to Berkeley
Objectif Exhibitions, 2008-2010
Marit Paasche, Judy Radul (Eds.)
A Thousand Eyes
Media Technology, Law, and Aesthetics
Pauline J. Yao, Rania Ho, Wang Wei (Eds.)
3 Years: Arrow Factory
Merlin Carpenter
The Opening
Mark von Schlegell
New Dystopia
Charlotte Birnbaum (Ed.)
On the Table
Three Banquets for a Queen
R. H. Quaytman
Spine
Brice Dellsperger
Brice Dellsperger’s Body Double
tranzit.hu (Ed.)
Art Always Has Its Consequences
Artists’ Texts from Croatia, Hungary, Poland, Serbia, 1947–2009
Julieta Aranda, Anton Vidokle, Brian Kuan Wood (Eds.)
e-flux journal
Are You Working Too Much?
Post-Fordism, Precarity, and the Labor of Art
Stuart Bailey, Angie Keefer, David Reinfurt (Eds.)
Bulletins of The Serving Library #1
Ewa Lajer-Burcharth
Chardin Material
Sebastian Cichocki, Galit Eilat (Eds.)
A Cookbook for Political Imagination
Birgit Megerle
Birgit Megerle
Andreas Eriksson
Nordic Pavilion
54th Venice Biennale, 2011
Dora Garcia
Mad Marginal
Cahier #2: The Inadequate
Zin Taylor
Growth
Brian Dillon
Sanctuary
Sung Hwan Kim
Ki-da Rilke
Christoph Schlingensief
German Pavilion
54th Venice Biennale, 2011
Armen Avanessian, Luke Skrebowski (Eds.)
Aesthetics and Contemporary Art
Momus
Solution 214–238
The Book of Japans
Libia Castro & Ólafur Ólafson
Under Deconstruction
Icelandic Pavilion
54th Venice Biennale, 2011
Fia Backström
Nordic Pavilion
54th Venice Biennale, 2011
Markus Weisbeck
Surface
Anton Vidokle
New York Conversations
Hans Dickel and Lisa Puyplat (Eds.)
Reading Susanne Kriemann
Wendelien van Oldenborgh
A Well Respected Man, or Book of Echoes
Joshua Simon (Ed.)
Solution 196–213
United States of Palestine-Israel
April Lamm (Ed.)
Hans Ulrich Obrist
Everything You Always Wanted to Know About Curating*
*But Were Afraid to Ask
Miki Kratsman
all about us
Martin Ebner, Florian Zeyfang (Eds.)
Poor Man’s Expression
Technology, Experimental Film, Conceptual Art
A Compendium in Texts and Images
Valérie Mannaerts
An Exhibition—Another Exhibition
Alexis Vaillant (Ed.)
BigMinis
Fetishes of Crisis
Gabriel Kuri
join the dots and make a point
Knut Åsdam
The long gaze, the short gaze
Søren Grammel (Ed.)
Der symbolische Auftraggeber/The Symbolic Commissioner
Mario Pfeifer
Reconsidering The new Industrial Parks near Irvine, California by Lewis Baltz, 1974
by Mario Pfeifer, 2009
Alexis Vaillant (Ed.)
Options with Nostrils
e-flux journal
Boris Groys
Going Public
Maria Fusco
The Mechanical Copula
Markus Miessen
The Nightmare of Participation
(Crossbench Praxis as a Mode of Criticality)
Maria Lind
Selected Maria Lind Writing
Hu Fang
Garden of Mirrored Flowers
John Kelsey
Rich Texts
Selected Writing for Art
Jan Verwoert
Tell Me What You Want, What You Really, Really Want
Shahryar Nashat
Downscaled and Overthrown
Andrea Geyer/Katya Sander
Meaning is what hides the instability of one’s position
Ingo Niermann
Solution 186–195
Dubai Democracy
Internal Necessity
A Reader Tracing the Inner Logics of the Contemporary Art Field
Agnieszka Kurant/Aleksandra Wasilkowska
Emergency Exit
Magnus af Petersens (Ed.)
Keren Cytter
Jean-Yves Leloup
Digital Magma
Angelika Burtscher, Judith Wielander (Eds.)
visible
“where art leaves its own field and becomes visible as part of something else”
Silberkuppe
Under One Umbrella
BLESS
Retroperspective Home N° 30 – N° 41
Julieta Aranda, Brian Kuan Wood, Anton Vidokle (Eds.)
e-flux journal
What Is Contemporary Art?
Daniel Birnbaum, Isabelle Graw (Eds.)
The Power of Judgment
A Debate on Aesthetic Critique
Auguste Orts
Correspondence
Moyra Davey
Speaker Receiver
Nav Haq, Tirdad Zolghadr (Eds.)
Lapdogs of the Bourgeoisie
Class Hegemony in Contemporary Art
Maria Lind (Ed.)
Philippe Parreno
Haegue Yang
Siblings and Twins
Raqs Media Collective
Seepage
Julika Rudelius
Soft Intrusion
Tirdad Zolghadr
Solution 168–185
America
Peter Friedl
Secret Modernity
Selected Writings and Interviews 1981–2009
Peter Friedl
Die heimliche Moderne
Ausgewählte Texte und Interviews 1981–2009
Anselm Franke (Ed.)
Animism (Volume I)
Agnieszka Brzezanska
L’artiste, le modèle et la peinture
Dieter Daniels, Gunther Reisinger (Eds.)
Net Pioneers 1.0
Contextualizing Early Net-Based Art
Isabelle Graw
High Price
Art Between the Market and Celebrity Culture
Joseph Grigely
Exhibition Prosthetics
Bettina Funcke
Pop or Populus
Art Between High and Low
Magnus Ericson, Martin Frostner, Zak Kyes, Sara Teleman, Jonas Williamsson (Eds.)
Iaspis Forum on Design and Critical Practice
The Reader
Friedrich Kunath
Home wasn’t built in a day
The Otolith Group
A Long Time Between Suns
Helke Bayrle
Portikus Under Construction
Dominic Eichler
Written All Over Us
Dexter Sinister
Portable Document Format
Julieta Aranda, Anton Vidokle, Brian Kuan Wood (Eds.)
e-flux journal reader 2009
Céline Condorelli
Support Structures
Sylvère Lotringer (Ed.)
The German Issue
Diango Hernández
Losing You Tonight
Anton Vidokle
Produce, Distribute, Discuss, Repeat
Nikolaus Hirsch, Wolfgang Lorch, Andrea Wandel (Eds.)
Gleis 17/Track 17
Jean-Luc Blanc
Opera Rock
Dave Hullfish Bailey
What’s Left
Sabine Bitter & Helmut Weber
Autogestion, or Henri Lefebvre in New Belgrade
Nikolaus Hirsch, Philipp Misselwitz, Markus Miessen, Matthias Görlich (Eds.)
Institution Building
Artists, Curators, Architects in the Struggle for Institutional Space
Cecilia Widenheim (Ed.)
Voice Over
On Staging and Performative Strategies in Contemporary Art
Mike Bouchet
Selected Works 1989-2009
Jörg Heiser (Ed.)
Fare una scenata / Making a Scene
Liam Gillick
How Are You Going to Behave? A Kitchen Cat Speaks/
Wie würden Sie sich verhalten? Eine Küchenkatze spricht
Loris Gréaud
Trajectories and Destinations
Volume 1
Sven Lütticken
Idols of the Market
Modern Iconoclasm and the Fundamentalist Spectacle
Ingo Niermann
Solution 1–10
Umbauland
Simon Dybbroe Møller
Kompendium
Nicolas Bourriaud
The Radicant
Klaus Weber
Large Dark Wind Chime (Tritone Westy)
Justine Frank
Roee Rosen
Sweet Sweat
Olaf Holzapfel
Nakano Sakaue
Verhandelte Zeichen
Momus
Solution 11–167
The Book of Scotlands
Klaus Weber
Secession
Ian Wallace
A Literature of Images
Daniel Birnbaum, Anders Olsson
As a Weasel Sucks Eggs
An Essay on Melancholy and Cannibalism
Agnieszka Kurant
Unknown Unknown
Antje Majewski
My Very Gestures
Markus Miessen (Ed.)
East Coast Europe
Diedrich Diederichsen
On (Surplus) Value in Art
Keren Cytter
The seven most exciting hours of Mr. Trier’s life in twenty-four chapters
M/M (Paris)
Live Recorded Delay
An Archive of “Il Tempo del Postino”
Alexis Vaillant (Ed.)
Légende
Maria Lind, Hito Steyerl (Eds.)
The Greenroom
Reconsidering the Documentary and Contemporary Art #1
Daniel Birnbaum, Isabelle Graw (Eds.)
Canvases and Careers Today
Criticism and Its Markets
Ingo Niermann, Jens Thiel (Eds.)
Solution 9
The Great Pyramid
Mariana Castillo Deball
These Ruins You See / Estas ruinas que ves
Jörg Heiser
All of a Sudden
Things that Matter in Contemporary Art
Daniel Birnbaum
The Hospitality of Presence
Joseph Backstein, Daniel Birnbaum, Sven-Olov Wallenstein (Eds.)
Thinking Worlds
The Moscow Conference on Philosophy, Politics, and Art
Daniel Birnbaum, Isabelle Graw (Eds.)
Under Pressure
Pictures, Subjects, and the New Spirit of Capitalism
Nomeda & Gediminas Urbonas
Villa Lituania
Perros Negros, Toasting Agency (Eds.)
Otra de vaqueros
Michael Sailstorfer
Reaktor
Markus Miessen (Ed.)
The Violence of Participation
Julia Moritz, Nicolaus Schafhausen (Eds.)
Die Frage des Tages / The Question of the Day
Peter Friedl
Working at Copan / Trabalhando no Copan
Nikolaus Hirsch
On Boundaries
Bernadette Corporation
Eine Pinot Grigio, Bitte
Ina Blom
On the Style Site
Art, Sociality, and Media Culture
Daniel Birnbaum
Chronology
With a Special Project by Paul Chan
Łukasz Ronduda, Florian Zeyfang (Eds.)
1,2,3… Avant-Gardes
Film/Art between Experiment and Archive
Mariana Castillo Deball, Irene Kopelman (Eds.)
A for Alibi
Noah Horowitz, Brian Sholis (Eds.)
The Uncertain States of America Reader
Aleksandra Mir
The Meaning of Flowers
Manuel Raeder
Popurri: Agenda 2007
Tanya Leighton (Ed.)
In The Poem About Love You Don't Write The Word Love
Will Bradley, Mika Hannula, Cristina Ricupero, Superflex (Eds.)
Self-Organisation / counter-economic strategies
Jean-Max Colard, Thomas Lélu (Eds.)
After
Bik Van der Pol
Fly Me To The Moon
Desiree Heiss, Ines Kaag, Manuel Raeder (Eds.)
BLESS. Celebrating Ten Years of Themelessness: N° 00 – N° 29
Jennifer Higgie
Bedlam
Katja Eydel (Ed.)
Model ve Sembol. The Invention of Turkey
Josephine Meckseper
The Josephine Meckseper Catalogue No. 2
Hans Ulrich Obrist
...dontstopdontstopdontstopdontstop
Michael Beutler
Pecafil
Christopher Williams
Program. For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision I)
Tue Greenfort
Photosynthesis
Daniel Birnbaum
Chronology
Rirkrit Tiravanija, PLAN.b Publishing
oVER
Lars Bang Larsen, Cristina Ricupero, Nicolaus Schafhausen (Eds.)
The Populism Catalogue
Antje Majewski, Ingo Niermann (Eds.)
Skarbek
Keren Cytter
The Man Who Climbed Up the Stairs of Life and Found Out They Were Cinema Seats
Anke Kempkes, Kunsthalle Basel (Ed.)
Flesh at War with Enigma
Melik Ohanian
Cosmograms
Diango Hernández
revantgarde
Nicolas Bourriaud
Postproduction
Alex Morrison
Giving the Story a Treatment
Jacob Fabricius (Ed.)
The Danish Pavilion – 51st Venice Biennale
Cristina Ricupero, Lars Bang Larsen, Nicolaus Schafhausen (Eds.)
The Populism Reader
M/M (Paris)
Le Grand Livre
Josephine Meckseper
The Josephine Meckseper Catalogue
Charlotte Brandt, Lars Bang Larsen, Jean-Charles Massera, Cristina Ricupero (Eds.)
Fundamentalisms of the New Order
Cerith Wyn Evans
“Cerith Wyn Evans”
Andrew Lee Walker, Rachel K. Ward (Eds.)
Terminal 5
Markus Heinzelmann, Nicolaus Schafhausen (Eds.)
Markus Schinwald
Antje Majewski, Ingo Niermann (Eds.)
Atomkrieg
Peter Friedl
Four or Five Roses
Vanessa Joan Müller and Nicolaus Schafhausen (Eds.)
Bernhard Willhelm
Gerard Byrne
Books, Magazines, and Newspapers
Adorno
The Possibility of the Impossible (Vol. I)
Adorno
The Possibility of the Impossible (Vol. II)
Thomas Eggerer
Atrium
Michaela Melián
Triangel
Jean-Charles Massera
Sex, Art, and the Dow Jones
John Kelsey, Aleksandra Mir (Eds.)
Corporate Mentality
Lars Bang Larsen (Ed.)
Sture Johannesson
Nicolaus Schafhausen (Ed.)
deutschemalereizweitausenddrei
Marcel Odenbach
Blenden/Blinds
Julia Scher
Always There
Lolita Jablonskiene, Nicolaus Schafhausen (Eds.)
Changing Society: Lithuania
Kai Althoff
Gebärden und Ausdruck
Nicolaus Schafhausen (Ed.)
Non-Places
Anthony Vidler
Unheimlich
Über das Unbehagen in der modernen Architektur
Nicolaus Schafhausen (Ed.)
Neue Kunstkritik
Nicolaus Schafhausen (Ed.)
Neue Welt
Karl-Heinz Kohl, Nicolaus Schafhausen (Eds.)
New Heimat
Harun Farocki
Nachdruck / Imprint
Texte / Writings
Isa Genzken
Urlaub
Liam Gillick
five or six
Tom Burr
Low Slung
Jeroen de Rijke / Willem de Rooij
After the Hunt
Susanne Gaensheimer, Nicolaus Schafhausen (Eds.)
Liam Gillick
Eva Grubinger
group.sex

 
Nina Möntmann (Ed.)Scandalous
A Reader on Art and Ethics


Texts by Petra Bauer and Annette Krauss, Franco Bifo Berardi, Galit Eilat, Ronald Jones, Maria Karlsson and Måns Wrange, Nina Möntmann, Peter Osborne, Marcus Steinweg, Nato Thompson; conversations between Simon Critchley and Miguel Á. Hernández-Navarro, Renzo Martens and T. J. Demos

Recent encounters between art and real life, the ubiquity of images of violence and humiliation in visual culture and the media, and the persistence of controversial debates on public and participatory art projects are raising fundamental questions about the importance of ethical decisions in art and curating. How far can provocation in art go, before it becomes cynical and abusive? Does “good censorship” exist? Are ethical decisions seen as more urgent in participatory art?

This reader introduces current notions of ethics in several contexts related to the cultural field. Responding to the instrumentalization of ethics as a privileged tool of neoliberalism, the reader claims the need for an ethics that critically reflects the mechanisms of contemporary global power structures. The contributions discuss models of subjective and situational ethics and pit them against a canon of unquestioned principles and upturned notions of ethics and human rights.

Copublished with the Royal Institute of Art, Stockholm
Design by Torsten Jahnke and Jens Reitemeyer, Hotmelt My Heart


September 2013, English
16.6 x 22.5 cm, 178 pages, 16 color and 6 b/w ills., softcover
ISBN 978-1-934105-87-0
€19.00