Fusing disparate, seemingly incompatible visual languages to create “synthetic folklore,” Janek Simon’s work presented in this catalogue raises the question: How do we cherish the particular while constructing a global value system with the use of new technologies?

On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell offers a number of portholes into the relations between photography, philosophy, ecology, material history, science fiction, and the care and reading of sacred and symbolic landscapes, as they have been engaged by artist Joyce Campbell over her near three-decade career.

For three weeks in October 1968, Stockholm’s Moderna Museet was transformed into a sprawling adventure playground that was free to access for children: Gunilla Lundahl and Palle Nielsen’s The Model: A Model for a Qualitative Society concatenated art, research, and urban activism into a visionary hybrid framework.

Unfold This Moment explores the work of Carol Bove, one of the most inventive and protean artists of her generation, whose practice has expanded—via numerous stylistic evolutions over two decades—from ethereal drawings of Playboy models to towering crushed-metal sculptures.

It was the concept of the ocean as a global commons, free for everyone—first formulated by Hugo Grotius in his 1609 treatise, Mare Liberum—that stimulated a free global market. Today, the free market and the free ocean both suffer from rigorous, exploitive use. Solution 295–304: Mare Amoris proposes nine new practical, technological, and metaphysical scenarios of how to fall in love with the sea, and, eventually, have the sea fall in love with us.

What is the role and function of contemporary art in economic and political systems that increasingly manage data and affect? Knowledge Beside Itself delves into the peculiar emphasis placed in recent years, curatorially and institutionally, on notions such as “research” and “knowledge production.”

Faint on stage? Umm Kulthum never did. It was the people who swooned when she sang. What if, overcome by the power of her song, the singer herself had passed out? What would have ensued during the sudden silence? Umm Kulthum faints on stage is the title Polys Peslikas coined for one of the paintings in his exhibition “The future of colour” at the Cyprus Pavilion during the 57th Venice Biennale in 2017.

Oceans are a crucial in regulating the planet’s climate—a necessary condition to ensure human survival on earth. Findings of oceanography can help people living in the Anthropocene to better understand life (and survival).

Understanding microbiota alters and challenges our concepts of immunology, metabolism, and the relation between nutrition and mental health, and also helps us learn more about the pathogenesis of diseases, the development of which are associated with a lack of microbial diversity.

Geoengineering refers to the large-scale intervention into the earth’s natural systems—oceans, soils, and atmosphere—in an attempt to counter the adverse effects of climate change, be it through solar radiation management, carbon dioxide removal, and so forth.

Camnitzer explains his trajectory since 1960s Uruguay in the introduction to this volume of texts, many published here for the first time. A singularly authoritative, yet anti-authoritative gathering of a life’s work in art, education and activism.

The General’s Stork explores historical accounts of biblical prophecies, colonial narratives, and the politics of technological warfare from a bird’s eye view. Focusing on how military technologies were developed in the specific context of Middle Eastern geographies, this volume will explore the extensive research that comprised the development of this multi-dimensional and developing work.

Unpayable Debt examines the relationship between coloniality, raciality, and global capital through a black feminist poethical framework. Inspired by Octavia E. Butler’s 1979 sci-fi novel Kindred, in which an African American writer is transported back in time to the antebellum South to save her owner-ancestor, Unpayable Debt relates the notion of value to coloniality—both economic and ethical.