Thirty international artists, writers, and thinkers consider timely themes found in the work of Anicka Yi, including AI, umwelt, scent and taste, the anthropocene, decay and rot, the animal world, and feminism.
A collection exploring the intersections of gender and religion in post-secular knowledge production and visual culture.
On the advanced knowledge economy, which perpetuates patterns of discrimination and exclusion, and the threat of climate change devastation for both human and nonhuman entities.
The relationship between quantifiable and experiential knowledge as entanglement of multiple temporalities.
A series of propositions and encounters in service to an aesthetic, critical, and poetic experience of living life led by death.
An innovative monograph of conceptual artist Agnieszka Kurant’s work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.
Hans Ulrich Obrist leads readers into the world of path-breaking Syrian artist Simone Fattal in this intensely personal volume.
This enchanting convening of texts and images, diaries and epistles celebrates a unique voice and ongoing dialogue around the erotics of art.
Traditions of realism are brought together with the decolonial and ecological concept of ‘planetarity’ to understand a new realism in contemporary art.
Through Nida Sinnokrot’s agriculture research platform Sakiya and other ongoing projects that span moving image, sculpture, and socially engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonize the social, political, economic, and narrative structures that govern relationships to nature in the Occupied Palestinian Territories.
This book examines how the transition to fossil fuels entailed an intensification of ongoing processes of racialization.
