A techno-fiction novel on the uneasy desire for anti-rationalist ideas on the internet, and their intersections with Asian futurisms and reactionary mythologies, conceived in parallel with the video project GROTESKKBASILISKK! MINERAL MIXTAPE by Mochu, as part of his solo exhibition at the Edith-Russ-Haus for Media Art

A publication accompanying the exhibition Nadia Belerique: Body in Trouble at the Fogo Island Gallery.

The most significant critical, theoretical, and art historical texts by the artist and writer Aria Dean.

Through Nida Sinnokrot’s agriculture research platform Sakiya and other ongoing projects that span moving image, sculpture, and socially engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonize the social, political, economic, and narrative structures that govern relationships to nature in the Occupied Palestinian Territories.

For Farocki, the computer-animated, navigable images that constitute the twenty-first century’s “ruling class of images” call for new tools of analysis, prompting him to ask: How does the shift from montage to navigation alter the way images—and art—operate as models of political action and modes of political intervention?