Cart

Remove item Thumbnail image Product Price Quantity Subtotal
× Culture Class Culture Class 12.00
12.00
× Sahara Sahara 18.75
18.75
× Wolfgang Ernst The Delayed Present 4.00
4.00
× Seven Years Seven Years 11.00
11.00
× The Currency The Currency 24.00
24.00
× M/M (Paris) Live Recorded Delay 85.00
85.00
× The Crossdresser’s Secret The Crossdresser’s Secret 11.95
11.95
× Eastern Sugar Eastern Sugar 25.00
25.00
× Solitary Solitary 22.00
22.00
× Militant Eroticism // The ART+Positive Archives Militant Eroticism 14.00
14.00
× Simone Fattal Simone Fattal 15.00
15.00
× Lalitha Lajmi Lalitha Lajmi 14.00
14.00
× Master of Voice Master of Voice 16.00
16.00
× Abstract Hungary Abstract Hungary 25.00
25.00
× Manhattan Marxism Manhattan Marxism 14.00
14.00
× The Violence of Participation The Violence of Participation 24.00
24.00
× Synchronicity Synchronicity 29.00
29.00

Cart totals

Subtotal 364.70
Shipping
  • 1-2 days

Shipping options will be updated during checkout.

Total 376.15 (includes 31.07 VAT)
November 2019, English/Chinese
17×23 cm, 196 pages, 80 color ill., softcover
ISBN 978-3-95679-436-0
Translation
Lai Fei, Liu Shuwei
Design
Wang Jiayi
Copublisher
Rockbund Art Museum
Status
Available

This catalogue for Philippe Parreno's first solo show in mainland China reveals the artworks presented in the exhibition. The exhibition, "Synchronicity," is dedicated to Xavier Douroux, director and co-founder of the art center Le Consortium in Dijon, whose influence on Parreno's career cannot be overstated.

Over the past twenty years, Parreno has radically redefined the exhibition-visiting experience by exploring its possibilities as a medium in its own right. The exhibition has altered the building's current existence through an unexpected use of time, space, light, and sound to become a semi-automated puppet, a perpetual motion of events in which Parreno subverts the conventions of the gallery space. Parreno will guide visitors through a constantly evolving area by manipulating light, shadow, and duration. The catalogue testifies, with a rich collection of photos, the involvement of visitors in this interaction between the artist's work and the architectural structure of the museum.

The curator, Larys Frogier, states: "Parreno invites visitors to engage with contradictory notions of the physical, emotional, and conceptual. He blurs the distinction between reality and fiction to create an all-encompassing world of endless possibilities". Frogier has also contributed a poem, "Vision," in this volume, echoing Parrreno's artistic research.