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× Chronology Chronology 13.76
13.76
× Solitary 20.18
20.18
× The White West 20.14
20.14
× Bad Infinity 17.43
17.43
× Oceans Rising 22.94
22.94
× Artful Objects 14.68
14.68
× The Monadic Age 20.14
20.14
× Black Diamond Bay Black Diamond Bay 2.75
2.75
× At the hour of tea At the hour of tea 26.83
26.83
× Radical Futurisms 17.43
17.43
× The General’s Stork 13.76
13.76
× Relative Intimacies 16.51
16.51
× Assuming Asymmetries 13.76
13.76
× On the Last Afternoon 32.11
32.11
× Solution 168–185 // America Solution 168–185 6.88
6.88
× Training for the Future 13.76
13.76
× Navigation Beyond Vision 16.51
16.51
× The 14th Shanghai Biennale 40.37
40.37
× Is It My Body? 13.76
13.76

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Subtotal 343.70
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Total 413.70
January 2014, English
12×19 cm, 182 pages, 36 b/w ill., softcover with dust jacket
ISBN 978-3-95679-038-6
Series
Institut für Kunstkritik
Design
Surface
Status
Available

Throughout the 1980s and early ’90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the artist-critics of her generation, including Mike Kelley, John Miller, and Dan Graham. In addressing key stakes within contemporary art, architecture, music, and the performance of male and female gender roles, Gordon provides a prescient analysis of such figures as Kelley, Glenn Branca, Rhys Chatham, Tony Oursler, and Raymond Pettibon, in addition to reflecting on her own position as a woman on stage. The result—Is It My Body?—is a collection that feels as timely now as when it was written. This volume additionally features a conversation between Gordon and Jutta Koether, in which they discuss their collaborations in art, music, and performance.

 

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