Remove item Thumbnail image Product Price Quantity Subtotal
× Disproof Does Not Equal Disbelief 36.70

Cart totals

Subtotal 36.70
  • With Tracking

Shipping options will be updated during checkout.

Calculate shipping
Total 84.70
October 2021, English
24×32 cm, hardcover
ISBN 978-3-95679-615-9
Will Holder
KW Institute for Contemporary Art, Berlin

From his refuge in upstate New York—the studio/ living complex where he enacted a late pivot back to figuration—the American painter Philip Guston once offered the following outburst to the question of how such a turn could happen.

“What kind of man am I, sitting at home, reading magazines, going into frustrated fury about everything and then going into my studio to adjust a red to a blue?”

Over time, this sparse utterance takes on an architectural form in the imagination, a model that proposes a tantalizing proposition when fleshed out. The painter’s words situate us in two distinct yet adjacent rooms. The first: a lounge with a TV, its live feed constantly aflicker. The second, a space that’s more sequestered, which we can simply understand as a place of production: “the studio.” Between these spaces, the painter, often working through the night, is also the viewer or reader, shuffling back and forth as he navigates these two rooms. At a certain point, night becomes day, and we shuffle back and forth together, the presence of one room arriving in the other.