Cable cuts, energetics and gunk: moving back and forth between a group of core subjects, Reflexologies converts the past five years of sculptural work into a 384-page book. It is interrupted throughout by a lagged conversation and three new texts: Martin Herbert reflects on subsea cable stumps and the generative potential of gaps; Jennifer Teets considers flexible pneus and viscous processes; while Robin Watkins tackles a slow real-time collaboration.

The Ausseerland and the partly inaccessible landscape in the Austrian Totes Gebirge look back on a checkered political history. A great number of activities both supporting and opposing Hitler’s fascism were focused there in the mid-1940s. Six art projects in the landscape work with this individual and collective memory—from Clegg & Guttmann, Eva Grubinger, Florian Hüttner, Angelika Loderer, Susan Philipsz, and Bojan Šarčević.

A rapid development of technology and science, a resultant feeling that reality is speeding up and even out of control: the mood and texture of our current moment strongly resemble those of a century ago. In Eva Grubinger’s exhibition “Café Nihilismus,” the two eras interweave.

The Space Age consists of seven fold-out posters and a text by Martin Herbert. The publication coincides with the exhibition at M – Museum Leuven which encompasses fourteen years of Mir’s career (1999–2013).

This comprehensive new monograph on the influential British artist-filmmaker—renown for his playful and formally ingenious subversion of the everyday world—contains essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife.