In the style of a catalogue raisonné, Reto Pulfer’s comprehensive monograph, Zustandskatalog, follows the artist’s work over the past fifteen years. Excerpts from the artist’s novels as well as insightful texts by Anselm Franke and Benoît Maire are juxtaposed with 475 documentary photographs of Pulfer’s technical drawings, exhibitions, large-scale installations, and performances.

Slow Narration Moving Still takes Florian Zeyfang’s eponymous exhibition at the Bildmuseet Umeå as its starting point and ends with the artist’s newest works, shown at Künstlerhaus Stuttgart and at KW Institute for Contemporary Art, Berlin. The arrested film, the silent video still, the rhythm of the slide projector—along the lines laid out by the experimental film, Zeyfang’s works express, in the language of the “minor medium,” a politics of form.

Poor Man’s Expression examines the relationship between film, video, technology, and art, with a particular focus on the reciprocal influences between conceptual art and experimental film.

For the last decade, Markus Weisbeck has been redefining the prevailing client-designer relationship and subsequently challenging what constitutes a graphic design practice today. This pocket book presents a selection of seminal graphic design projects developed by Weisbeck and his firm, Surface, over the last ten years.

An Exhibition—Another Exhibition is the first monograph of the work of Belgian artist Valérie Mannaerts. The book catalogues two solo exhibitions that took place in 2010—“Blood Flow” at Extra City Kunsthal Antwerpen, and “Diamond Dancer” at de Appel arts centre.