What ideas and memories do the oceans hold in their depth and reanimate in response to the trembling of earth’s ecosystems? How to escape the silos of research and inquiry that narrow and fragment the knowledge of the oceans? Asking new questions and using multiple registers of sensing can lead to a revitalization of the ways humans engage with the oceans at this precarious moment and create new pathways for reparative justice.

Conceived as a field of production and mutual learning, Green light works with refugees, asylum seekers, migrants, and NGOs to fabricate an unlimited edition of fully functional lamps: geometric, stackable modules made from recyclable materials and fitted with a welcoming green light.

Appropriation, storytelling, reenactment, and reportage are some of the strategies that Mario García Torres deploys to highlight the limitations of factual evidence and the agency of historical records and objects. An Arrival Tale detaches the Mexican artist’s works from their original contexts and offers them as a collection of narratives and artistic experiments open for reinscription in order to address the conditions and urgencies of our contemporary societies.