Digital and data technologies are actively transforming the archives of contemporary warfare. Bringing together a range of scholarly perspectives and artistic practices, (W)archives investigates digital archiving as an integral technology of warfare and how artists respond to these changes.

How to Make a Mask borrows its title from one of Pedro Barateiro’s performances in which the artist reflects upon the role of the individual within the sociopolitical situations of the collective through references ranging from psychological tests to the history of theater.