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× Profit over Peace in Western Sahara // How commercial interests undermine self-determination in the last colony in Africa Profit over Peace in Western Sahara 10.00
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× Against the Anthropocene Against the Anthropocene 18.00
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× Art Always Has Its Consequences Art Always Has Its Consequences 18.00
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× Canvases and Careers Today // Criticism and Its Markets Canvases and Careers Today 15.00
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× We Are Here, But Is It Now?  // (The Submarine Horizons of Contemporaneity) We Are Here, But Is It Now? 4.00
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× Hystericizing Germany // Fassbinder, Alexanderplatz Hystericizing Germany 8.00
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Total 100.90 (includes 8.34 VAT)
November 2016, English
12.8×19.7 cm, 128 pages, 25 b/w ill., softcover
ISBN 978-3-95679-200-7
Design
Fraser Muggeridge Studio
Status
Available

 

This collection of essays by Martin Herbert considers various artists who have withdrawn from the art world or adopted an antagonistic position toward its mechanisms. A large part of the artist’s role in today’s professionalized art system is being present. Providing a counterargument to this concept of self-marketing, Herbert examines the nature of retreat, whether in protest, as a deliberate conceptual act, or out of necessity. By illuminating these motives, Tell Them I Said No offers a unique perspective on where and how the needs of the artist and the needs of the art world diverge. Essays on Lutz Bacher, Stanley Brouwn, Christopher D’Arcangelo, Trisha Donnelly, David Hammons, Agnes Martin, Cady Noland, Laurie Parsons, Charlotte Posenenske, and Albert York.


Martin Herbert is a writer and critic living in Berlin. He is associate editor of ArtReview and writes for international art journals. Previous books include The Uncertainty Principle (2014) and Mark Wallinger (2011).