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× Profit over Peace in Western Sahara // How commercial interests undermine self-determination in the last colony in Africa Profit over Peace in Western Sahara 10.00
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× Against the Anthropocene Against the Anthropocene 18.00
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× Art Always Has Its Consequences Art Always Has Its Consequences 18.00
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× The Changing Constitution of the Present The Changing Constitution of the Present 20.00
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× Canvases and Careers Today // Criticism and Its Markets Canvases and Careers Today 15.00
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× We Are Here, But Is It Now?  // (The Submarine Horizons of Contemporaneity) We Are Here, But Is It Now? 4.00
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× Hystericizing Germany // Fassbinder, Alexanderplatz Hystericizing Germany 8.00
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Total 100.90 (includes 8.34 VAT)
2013, English/Spanish
20×27 cm, 152 pages, 161 color ill., softcover
ISBN 978-3-943365-54-2
Design
Maite Zabaleta
Status
Out of print

Published on the occasion of her project at MUSAC Museo de Arte Contemporáneo in León (January–June 2013), this publication offers the first comprehensive survey on the work of Slovenian artist/architect Apolonija Šušteršič. Through a selection of projects spanning from 1995 to 2012, this monograph shows the methodologies and strategies of an artist whose practice touches on different aesthetical and political tendencies such as Conceptual art, Contextualism, institutional critique, and relational aesthetics. As an architect and artist, her work engages processes from both fields as well as applied design and other social sciences. Šušteršič’s project can be described as putting into practice a “politics in space.” A “transdisciplinary,” collaborative approach as such, it is absolutely indispensable when analyzing contexts as variegated as urban life, art museums, and other institutions and social spaces. Apolonija Šušteršič’s artistic research combines theory and practice to pursue a method of reflection in which a momentary situation of critique leads to activate constructive alternatives and spaces for hope.

Softcover
€29.00