As an artists’ book, Aftershow engages with the recent film installations of Pauline Boudry/Renate Lorenz. Installation shots, research material, scripts, and film stills give an insight into the artists’ investigation of performance in film and their dense net of references to experimental film, the history of photography, sound, and underground (drag) performances.

Documentary practices make up one of the most significant and complex tendencies within art during the last two decades. This anthology seeks to overcome the existing dispersion of texts on these practices and offer new perspectives on this crucial theme.

The Body Electric is the first comprehensive survey of video artist and filmmaker Theo Eshetu’s extensive body of work. It provides an in-depth exploration of the artist’s engagement with a variety of genres and media, including experimental cinema, essay and documentary films, large-scale video installations, and live performances.

Myths of the Marble documents a group exhibition that took place in 2017 at the Henie Onstad Kunstsenter, Norway, and the Institute of Contemporary Art, University of Pennsylvania. Curated by Alex Klein and Milena Hoegsberg, the exhibition reflects upon how the “virtual” has been engaged by contemporary artists as a way to consider the world as a site of possibility and limitation that both permeates physical space and online experience.

Jumana Manna’s work in film and sculpture explores how power is articulated through relationships, often focusing on the body and materiality in relation to narratives of nationalism and histories of place. This book includes stills from her film Wild Relatives (2018), a meditative documentary capturing the transit of seeds between the Svalbard Global Seed Vault in Norway and the fields of the Bekaa Valley in Lebanon.