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February 2020, English/Swedish
16.5×24 cm, 320 pages, 175 b/w and color ills., softcover
ISBN 978-3-95679-547-3
Design
Lisa Olausson
Copublisher
Malmö Konstmuseum; Tensta konsthall
Status
Available

How have artists over the past 150 years related to migration and exile? And what role can a museum play in times of mass migration? Taking as its starting point the 2019 exhibition Migration: Traces in an Art Collection, which featured more than a hundred works from Malmö Konstmuseum made between 1880 and today, this publication brings to light the radical approach of museum director Ernst Fischer, who in 1945 transformed the museum into a refugee shelter for survivors of German concentration camps. It also highlights the museum’s long-forgotten Latvian Collection, comprised of art acquired in solidarity with the young Baltic nation and its exiles. Contrasting works by exiled artists such as Sonia Delaunay-Terk, Lotte Laserstein, Endre Nemes, and Peter Weiss further animate the discussion, as do the geopolitical concerns of Pia Arke, Öyvind Fahlström, and Charlotte Johannesson. Correspondingly, a conversation with the exhibition’s curators foregrounds the ways in which today’s artists reflect upon and articulate experiences of migration. Together, these re-readings of the collection and its potential contribute to an urgent debate on the role of museums in our time.