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2016, English/German
14×21 cm, 44 pages, 6 color ill., softcover
ISBN 978-3-956792-15-1
NORM, Zurich
Künstlerhaus, Halle für Kunst & Medien, Graz
Out of print

Following the 2015 exhibition “Florian Hecker/John McCracken” at Künstlerhaus, Halle für Kunst & Medien Graz, this publication probes the experimental capacity of the white-cube space of the gallery. For the exhibition, two complementary yet autonomous artists were brought into dialogue with each other: German artist and computer composer Florian Hecker, and the late American sculptor John McCracken.


The fiberglass-coated, monochrome “planks” by McCracken spanned the floor and the walls of the building, evoking a juncture between painting and sculpture, while Hecker’s computer-generated sound pieces dramatized both space and time. By combining the work of the two artists, a framework was created in which an aesthetic experience occurred between the shifting boundaries and intersections of sculpture and sound as they affected each other within a space consisting of geometric and architectural formations as well as temporal and subjective formations. At the same time, the viewer/listener became more sensitized to the conditions, qualities, and degrees of intensity between the physical and the ephemeral.


The publication includes a curatorial introduction by Christian Egger, and a comprehensive essay by the author and curator of the Serralves Museum of Contemporary Art, Porto, João Ribas. The cover was designed by Florian Hecker using an objectness measure algorithm.