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× Chronology Chronology 13.76
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× Solitary 20.18
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× The White West 20.14
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× Bad Infinity 17.43
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× Oceans Rising 22.94
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× Artful Objects 14.68
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× The Monadic Age 20.14
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× Black Diamond Bay Black Diamond Bay 2.75
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× At the hour of tea At the hour of tea 26.83
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× Radical Futurisms 17.43
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× The General’s Stork 13.76
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× Relative Intimacies 16.51
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× Assuming Asymmetries 13.76
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× On the Last Afternoon 32.11
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× Solution 168–185 // America Solution 168–185 6.88
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× Training for the Future 13.76
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× Navigation Beyond Vision 16.51
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× The 14th Shanghai Biennale 40.37
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× Is It My Body? 13.76
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× Aesthetics of Installation Art Aesthetics of Installation Art 17.43
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Total 431.13
December 2015, English
10.8×17.8 cm, 196 pages, 4 b/w ill., softcover
ISBN 978-3-95679-195-6
Series
e-flux journal
Status
Available

Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

Benjamin H. Bratton’s kaleidoscopic theory-fiction links the utopian fantasies of political violence with the equally utopian programs of security and control. Both rely on all manner of doubles, models, gimmicks, ruses, prototypes, and shock-and-awe campaigns to realize their propagandas of the deed, threat, and image. Blurring reality and delusion, they collaborate on a literally psychotic politics of architecture.

The cast of characters in this ensemble drama of righteous desperation and tactical trickery shuttle between fact and speculation, action and script, flesh and symbol, death and philosophy: insect urbanists, seditious masquerades, epistolary ideologues, distant dissimulations, carnivorous installations, forgotten footage, branded revolts, imploding skyscrapers, sentimental memorials, ad-hoc bunkers, sacred hijackings, vampire safe-houses, suburban enclaves, big-time proposals, ambient security protocols, disputed borders-of-convenience, empty research campuses, and robotic surgery.

In this mosaic we glimpse a future city built with designed violence and the violence of design. As one ratifies the other, the exception becomes the ruler.

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