The publication I can’t nail the days down documents Newby’s eponymous exhibition at Kunsthalle Wien and includes a photo essay by the artist as well as detailing previous projects. Christina Barton, Juliane Bischoff, Chris Kraus, and Nicolaus Schafhausen contribute texts to the book that explore the influences, tools, ethical aspects, and poetics of Newby’s artworks, as well as the personal relationships the artist folds into her projects.

Around the world, place-based projects are drawing increasing attention to the pillars of art, design, and economics as important players in the development and redevelopment of the so-called periphery. This publication poses the question: How plausible and effective are these ventures?

Departing from Marcel Odenbach’s eponymous exhibition at Kunsthalle Wien, Beweis zu nichts / Proof of Nothing examines new works by Odenbach and contextualizes them within a broader context.

This publication comprises two volumes: a booklet accompanying Pierre Bismuth’s 2015 solo exhibition at Kunsthalle Wien, and a catalogue raisonné indexing his typically serial and often humorous work of the last three decades, from five-minute paintings of recipe cards from women’s magazines (1986–87) to fried-chicken-flavored polyethylene sculptures (2015).

This publication constitutes the first comprehensive documentation of the work of British artist Liam Gillick. With numerous illustrations and a seminal essay by Michael Archer, the book traces Gillick’s works from the beginning in the late 1980s up to the present.