This publication is devoted to the phenomenon of the artist novel, and whether it can be considered to be a medium in its own right within the visual arts. Thanks to the contributions of a selected group of artists, writers, curators, and scholars this publication strives to demonstrate that literature, when treated by visual artists, can take place well beyond the space of the book.

Gelatin’s exhibition “Loch,” and the week-long performance that preceded it, form the basis for this book. The catalogue comprehensively documents the Austrian art collective’s elaborate site-specific performance at the 21er Haus in Vienna (June 5–September 29, 2013).

For the last decade, Markus Weisbeck has been redefining the prevailing client-designer relationship and subsequently challenging what constitutes a graphic design practice today. This pocket book presents a selection of seminal graphic design projects developed by Weisbeck and his firm, Surface, over the last ten years.

When the flexibility, certainty, and freedom promised by being part of a critical outside are considered as extensions of recent advances in economic exploitation, does the field of art then become the uncritical, complicit inside of something far more compelling?

This book documents Gillick’s project for the German Pavilion at the Venice Biennale 2009. It contains an introduction by the curator, a text by Liam Gillick about his work as well as the text spoken by the kitchen cat present in the show.

The Populism Catalogue documents four exhibitions at Contemporary Art Centre, Vilnius; National Museum of Art, Architecture and Design, Oslo; Stedelijk Museum, Amsterdam and Frankfurter Kunstverein, Frankfurt/M. It features works of fiction as a literary approach to the theme of populism.

Neue Kunstkritik (New Art Criticism) documents a symposium held at the Frankfurter Kunstverein in September 1999.