This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting, and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure through historical conjecture.

Gelatin’s exhibition “Loch,” and the week-long performance that preceded it, form the basis for this book. The catalogue comprehensively documents the Austrian art collective’s elaborate site-specific performance at the 21er Haus in Vienna (June 5–September 29, 2013).

Against the historical backdrop of expansions of the notion of sculpture, one could think that the sculptural discipline has become defined by its near arbitrary malleability, since practically anything can be construed as sculpture. Yet there seems to be a revived interest in the history of sculpture, especially traditional techniques, which often appear appealing, even radical, in the age of the Internet and social media.

This book centers around two exhibitions which took place at the Grazer Kunstverein, “Die Blaue Blume” (2007) and “Idealismusstudio” (2008).

The catalogue Unknown Unknown documents recent work by Polish artist and curator Agniezka Kurant and was published on the occasion of Kurant’s presentation at Frieze Projects 2008.

Documentary practices make up one of the most significant and complex tendencies within art during the last two decades. This anthology seeks to overcome the existing dispersion of texts on these practices and offer new perspectives on this crucial theme.

“Cerith Wyn Evans” provides a comprehensive overview of the artist’s body of work.

Neue Kunstkritik (New Art Criticism) documents a symposium held at the Frankfurter Kunstverein in September 1999.