From the 1970s to the present, Cecilia Vicuña’s work has engaged with rituals from Aboriginal Australia, South Africa, Paleolithic Europe, and pre-Columbian America involving red-colored thread. Appearing on the occasion of Vicuña’s installation in Athens for documenta 14, Read Thread tells the story of the sanguine thread in Vicuña’s work.

Turning Inward comprises a selection of texts by international artists, critics, and curators, which aims to renegotiate the relationship between centers and peripheries in contemporary art worlds. If we are to turn our attention away from geographical—that is, horizontal—relations, we can conceive of the central and peripheral as vertical phenomena that can coexist spatially in the shapes of social constructions, genealogies, or epistemic formations.

Testing the intimate intersection of audience, object, and event, Nina Canell’s work has been described as “tethered to fragmented and often partially withheld narratives [and] comprised of choreographed indirection and relay.” Published in relation to the exhibition “Stray Warmings” at Midway Contemporary Art in Minneapolis, this new monograph documents the broader framework that has defined the artist’s practice.

Jos de Gruyter & Harald Thys’s art casts a merciless perspective on reality. Through their numerous artistic approaches—including installations, video, drawing, sculpture, performance, and photographs—the artist duo visualize their imaginings of the parallel world inherent within the modern human psyche, along with how it manifests itself in the everyday aspects of life and civic conformity.

Gelatin’s exhibition “Loch,” and the week-long performance that preceded it, form the basis for this book. The catalogue comprehensively documents the Austrian art collective’s elaborate site-specific performance at the 21er Haus in Vienna (June 5–September 29, 2013).

The book is comprised of texts on Susanne Kriemann’s practice and its relation to the concept of Reading in a wider sense: reading photographs, archives, and texts and transforming these into new compositions with photography, urban space, and historiography.

Zin Taylor has become known internationally for his elaborate installations encompassing elements of performance and sculpture along with drawing, printing, and video. This artist book is published on the occasion of the exhibition at the Ursula Blickle Stiftung, “The Units,” from May 29 to July 10, 2011.

This is the first extensive survey catalogue of the work of Vancouver-based artist Ian Wallace—a key figure of the extraordinary artistic ferment in the Canadian city of Vancouver and a pioneer and theorist of its internationally regarded tradition of photo-conceptualism.