The catalogue Higher Atlas/Au-delà de l’Atlas, published on the occasion of the Marrakech Biennale [4], frames the biennial in a historical and theoretical context.

Decoy documents the eponymous exhibition at Landesgalerie Linz in 2011 in which Grubinger presented large-scale sculptural works, all of which referenced the fishing—lures, mooring rings, a dock—and both subtly and explicitly engaged a vocabulary of the alluring.