Artist, writer, and musician Hassan Khan explores the margins at which a vernacular, be it linguistic or formal, attains its stature. Through a series of narrative portraits and accompanying images of his recent sculptures, Khan’s seemingly ubiquitous tales are in fact an attempt to let a story tell itself.

Invalid Format is an archive of the widespread publishing activities of Triple Canopy, the editorial collective and online magazine based in New York, Los Angeles, and Berlin. The book explores how works produced for the screen might be transposed to the codex in a way that recalls that former context while also fully inhabiting the page.

Following From Berkeley to Berkeley: Objectif Exhibitions, 2008–2010, this publication is the second in a two-part series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, between 2010 and 2011. The interviews are accompanied by a collection of secondary and parallel material produced in collaboration with each artist.

Class inevitably raises awkward questions for the protagonists of contemporary art—about their backgrounds, patrons, and ideological partialities. Lapdogs of the Bourgeoisie investigates this latent yet easily overlooked issue, which has been historically eclipsed by gender, sexuality, ethnicity, and nationality.