Through Nida Sinnokrot’s agriculture research platform Sakiya and other ongoing projects that span moving image, sculpture, and socially engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonize the social, political, economic, and narrative structures that govern relationships to nature in the Occupied Palestinian Territories.

Topologies of Air and Lesions in the Landscape are two major bodies of work by Shona Illingworth. Informed by the artist’s long-term investigations into individual and societal amnesia, these projects critically examine the devastating psychological and environmental impacts of military, industrial, and corporate transformations of airspace and outer space.

In 2013, Egyptian authorities detained a migratory stork for espionage. This incident is the focus of Heba Y. Amin’s The General’s Stork, an ongoing project that investigates the politics of aerial surveillance—against the backdrop of biblical prophecies, drone warfare, and colonial narratives—from a bird’s-eye view.

In 2009, Leonard Cohen was scheduled to perform at the Ramallah Cultural Palace in Palestine. As a result of the cultural boycott of Israel, the concert was canceled but the story, as Rakowitz’s eponymous work amply demonstrates, did not end there.

Heirloom documents the development of the artistic research for Palestinian artist Larissa Sansour’s project for the Danish Pavilion at the 58th Venice Biennale. It explores how recurrent notions in Sansour’s oeuvre, such as memory, trauma, identity, and belonging, intertwine with the discourses of science fiction and environmental disaster narratives.