This catalogue illustrates Stephan Dillemuth’s elaborate solo show at the Künstlerhaus, Halle für Kunst & Medien, through installation photographs as well as texts by art historian Kerstin Stakemeier and theorist Helmut Draxler. The exhibition presented newly conceived works alongside works from the 1980s exhibited for the first time.

What Is Different? is the title of 2017’s edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans. Circling around contemporary issues of newly resurfaced right-wing populism, the phenomenon of fake news, and the backfire effect, Tillmans, rather than analyzing the status quo, focuses on what has changed in the past ten, twenty, thirty, forty years. Why are societal consensus and institutions now under attack?

Intersubjectivity, a two-volume collection of essays, is concerned with a new account of our ideas of what subjects are, and what it means for them to meet. The project explores these concepts in the context of the interaction of non-sentient beings, attempting to move beyond anthropomorphic theories of objectivity and materiality, as well as subjects whose boundaries resist definition.

Slow Narration Moving Still takes Florian Zeyfang’s eponymous exhibition at the Bildmuseet Umeå as its starting point and ends with the artist’s newest works, shown at Künstlerhaus Stuttgart and at KW Institute for Contemporary Art, Berlin. The arrested film, the silent video still, the rhythm of the slide projector—along the lines laid out by the experimental film, Zeyfang’s works express, in the language of the “minor medium,” a politics of form.

This publication documents both the visionary and utopic framework underlying the creation of modern Turkey.