Joanna Warsza (Ed.)Ministry of Highways
A Guide to the Performative Architecture of Tbilisi
Once described as “Italy gone Marxist,” Georgia, located in both an advantageous and vulnerable geopolitical position between the Black Sea, Russia, Central Asia, and the Middle East, enjoys a Mediterranean climate and viniculture in combination with a community-oriented and self-determined spirit. Taking the exhibition “Frozen Moments: Architecture Speaks Back”(2010) as its starting point, this guidebook maps the social, urban, and art discourses of the country’s post-Soviet years as seen from its hilly capital of Tbilisi.
Gardar Eide EinarssonVersuchsstation des Weltuntergangs
Over the past decade Gardar Eide Einarsson’s exhibition practice has followed a highly consistent thematic trajectory, continuously tracing out what one could call an “iconography of resistance.” The signs and symbols we can read out of Einarsson’s works often refer to fundamental conflictual structures between a society of control following September 11, 2001, and the individual’s rebellion against and threat to central power.
John SmithJohn Smith
This comprehensive new monograph on the influential British artist-filmmaker—renown for his playful and formally ingenious subversion of the everyday world—contains essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife.
Dorothee Böhm, Petra Lange-Berndt, Dietmar Rübel (Eds.)A World of Wild Doubt
The starting point of this exhibition and subsequent publication is the novel The Man Who Was Thursday by British poet G. K. Chesterton from 1908, a mysterious crime story about a seven-headed anarchist council functioning in a world of permanent emergency. Yet in the end, the real danger emanates from artists and intellectuals.
Jos de Gruyter & Harald ThysOptimundus
M HKA 08 02 13 - 19 05 13
Jos de Gruyter & Harald Thys’s art casts a merciless perspective on reality. Through their numerous artistic approaches—including installations, video, drawing, sculpture, performance, and photographs—the artist duo visualize their imaginings of the parallel world inherent within the modern human psyche, along with how it manifests itself in the everyday aspects of life and civic conformity. This book accompanies their major exhibition at M HKA of the same title.
Marcel Duchamp/Ulf LindeDe ou par Marcel Duchamp par Ulf Linde
Ulf Linde is without doubt one of the world’s most important interpreters of Marcel Duchamp’s art. For more than half a century, he has pursued intense studies of Duchamp’s entire oeuvre and has made perfect replicas of all his major works. His as-yet unpublished manuscript scrutinizing the mathematical principles behind Duchamp’s art reveals what Linde claims to be the key to Duchamp’s poetic universe.
Apolonija ŠušteršičSelected Projects, 1995–2012
Published on the occasion of her project at MUSAC Museo de Arte Contemporáneo in León (January–June 2013), this publication offers the first comprehensive survey on the work of Slovenian artist/architect Apolonija Šušteršič.
Tecoh is a sprawling series of buildings designed by the artist Jorge Pardo deep in the Yucatán jungle. Taking over six years to fabricate, and engaging existing ruins of a nineteenth-century hacienda, the project is by far the artist’s most ambitious work to date. This book offers the only available glimpse of the project, as it was primarily conceived as a private residence.
Beatrice GibsonThe Tiger's Mind
In 2010, a production process was instigated by filmmaker Beatrice Gibson and typographer Will Holder, with the intention of using British composer Cornelius Cardew’s musical score The Tiger’s Mind as a means of producing speech. Since the score concerns the changing relations between six characters in production, practitioners from other fields (musicians and visual artists) were invited to three conversations at Künstlerhaus Stuttgart, Kunstverein in Amsterdam, and CAC Brétigny.
Ruth BuchananThe weather, a building
This new artist book by Ruth Buchanan charts three narratives associated with the life of the Staatsbibliothek Berlin, which acts as an example of the tension between what is contained in libraries and how it is contained.
Lene BergLene Berg
“The work of Lene Berg probes questions about the difference between truth and falsehood, between reality and fantasy, between veracity and mendacity. Berg crafts short, witty, incisive, and often humorous filmic stories, using lo-fi means such as drawing, photocopies, collage, and her own as well as found footage, to interrogate the question of history and historiography,” so states Katerina Gregos. These themes, among others, are explored in Berg’s latest film, Kopfkino (2012), which was filmed over the course of two days in Berlin and focuses on eight women as they exchange stories about their line of work—the fulfillment of sexual fantasies.
In the fall of 2010, Jessica Warboys discovered photographic portraits of dancer Hélène Vanel in the disused Bibliothèque Smith-Lesouëf, Nogent-sur-Marne. Warboys later discovered an unpublished manuscript by Vanel in the adjoining archives of the Maison nationale des artistes, a retirement home for elderly artists.The artist then translated the texts herself and condensed the drama, and thus shifted Vanel’s role from manuscript to script.
Omer Fast5,000 Feet Is the Best
This publication focuses on a single work of art: 5,000 Feet is the Best (2011) by artist Omer Fast.With this cinematic video work, Fast has entered into a discussion about one of the most pressing issues today, namely drone surveillance and warfare—that is, the use of unmanned planes operated by “pilots” on the ground.
Maria LobodaOh, Wilderness
“Verbal sculptures” and “strange archaeologies”—Maria Loboda’s recent works expose prior events through sparse details of entangled secrets, material contradictions, and masked collusions. Oh, Wilderness demonstrates the artist’s aesthetic equation between language and materiality as it works the other way around, translating materials expressive of a certain weak semiotics to language.
Simon Starling / SuperflexReprototypes, Triangulations and Road Tests
Reprototypes, Triangulations and Road Tests brings together seven seminal works by Simon Starling and Superflex in a dialogical setting. These works “collapse” as unstable complexes around pertinent themes whose triangulated speculations are articulated by undisciplined objects, piercing through the layers of time and history and revisiting long-held certainties.
Yorgos SapountzisA statue has remembered me / Eine Statue hat sich an mich erinnert
Yorgos Sapountzis's work appropriates public space and the statues, monuments, and memorials that inhabit it. The Athens-born artist concentrates less on their historical-political meanings and much more on their function as a medium of recollection. Sapountzis consciously tries to ignore historical information about the sculptures and instead allows them to “speak” through their gestures, poses, and ornaments.
Although Marianne Heier abandons the traditional exhibition spaces in connection with her projects, Art with a capital A is still always measured against other social constructs. At this point of intersection, Heier looks at the typical features of the various economies or values of given fields and how they overlap and collide. This project renders visible societal structures and consequences of such structures—of which we are not always aware. By shifting the perspective slightly, we can perhaps glimpse distinct values and new outcomes.
bankleerfinger in the pie
This monograph features in depth essays on the collective’s work as well as an annotated image section, which highlights bankleer’s recent projects and deployments.
In connection with Tauba Auerbach’s exhibition “Tetrachromat” at Bergen Kunsthall, Folds presents Auerbach’s eponymous painting series for the first time in book form. In these paintings Auerbach twists and folds the canvas before applying the paint. Transferred to the medium of the book, the paintings are presented here in a new and unexpected way alongside mathematical diagrams and three texts.
Chris EvansGoofy Audit
The work of artist Chris Evans evolves through conversations with people from various walks of life, selected in relation to their public position or symbolic role—resulting in sculptures, letters, drawings, film scripts, and unwieldy social situations. To all intents and purposes, this publication is a comprehensive survey of his work, isolating and documenting the formalities of objects and situations.
Antje MajewskiThe World of Gimel
How to Make Objects Talk
The alchemy of things is at the core of Antje Majewski’s multimedia project, which aims at rethinking the representation and meaning of objects in the form of a highly personal and quasi-surreal collection. Based on the investigation of various museums and collections Majewski presents a utopian and subversive take on how to make objects talk. A German-language version of this publication is also available!
Merlin CarpenterThe Opening
This book presents the work of London-based artist Merlin Carpenter. Focused on a series of exhibitions entitled, The Opening—marked by the fact that all the paintings presented were produced at the galleries during the exhibition openings—the book documents all six events via text and snapshot-like images.
R. H. QuaytmanSpine
Spine resembles a catalogue raisonné of R. H. Quaytman’s work produced since 2001, the year the artist began organizing paintings in what are called “Chapters.” Conceived and written by Quaytman, this more than 400-page volume presents a full decade’s output.
Brice DellspergerBrice Dellsperger’s Body Double
Brice Dellsperger's Body Double is the first monograph ever published on the artist's already cult film productions, with a long essay by art historian Marie Canet that addresses filmic remake, but also issues of models, gender politics, and representational chaos.
Sebastian Cichocki, Galit Eilat (Eds.)A Cookbook for Political Imagination
The publication A Cookbook for Political Imagination accompanies the exhibition “… and Europe will be stunned” for the Polish Pavilion at the 54th Biennale of Art in Venice. This is not a traditional exhibition catalogue but rather a manual of political instructions and recipes, delivered by more than forty international authors.
Birgit MegerleBirgit Megerle
Birgit Megerle’s figurative and abstract paintings are characterized by an artificial, rigid, and stage-like atmosphere. This exhibition catalogue accompanied Megerle’s exhibition at Kunsthalle Lingen in the fall of 2010.
Andreas ErikssonNordic Pavilion
54th Venice Biennale, 2011
Andreas Eriksson employs a variety of techniques and media, including painting, sculpture, photography, installation art and, more recently, film. Trivial events and observations from everyday life and nature set off his metaphorical and existential contemplations.
Christoph SchlingensiefGerman Pavilion
54th Venice Biennale, 2011
This catalogue pays tribute to one of Germany’s most radical, experimental, and progressive voices. With contributions from over thirty internationally renowned curators, artists, critics, theorists, directors, and practitioners.
The publication by Libia Castro and Ólafur Ólafsson is conceived as a first comprehensive overview / in depth analysis of more than ten years of their artistic practice—leading up to their most current works.
Fia BackströmNordic Pavilion
54th Venice Biennale, 2011
Fia Backström produces events, environments, and projects, which challenge our habitual notions of what constitutes an exhibition—its institutional context, the dialogue with the audience, and even the works of art that are presented.
For the last decade, Markus Weisbeck has been redefining this prevailing client-designer relationship and subsequently challenging what constitutes a graphic design practice today. This pocket book presents a selection of seminal graphic design projects developed by Weisbeck and his firm, Surface, over the last ten years; projects that strongly reveal Surface’s experimental approach and conceptual dexterity, contributing to and informing contemporary graphic design.
Miki Kratsmanall about us
Miki Kratsman’s photographs show the complex reality of everyday Israeli life and its many different guises and narratives.
Gabriel Kurijoin the dots and make a point
This monograph documents the solo exhibition at Bielefelder Kunstverein and Kunstverein Freiburg and also focuses on Kuris` marble works since 2006.
Knut ÅsdamThe long gaze, the short gaze
For several decades Norwegian artist Knut Åsdam has worked independently and uncompromisingly with his artistic projects, and he is today considered one of the central contemporary practitioners of film and video art.
Shahryar NashatDownscaled and Overthrown
Downscaled and Overthrown is the first monograph on the work of the Swiss artist Shahryar Nashat.
Moyra DaveySpeaker Receiver
Published on the occasion of the exhibition “Speaker Receiver” at Kunsthalle Basel, June 17 – August 29, 2010, the same-titled monograph brings the diverse aspects of Moyra Davey’s work together.
Anton VidokleProduce, Distribute, Discuss, Repeat
Anton Vidokle is an artist who captures the attention of 70,000 people each day through e-flux, as well as unitednationsplaza, Martha Rosler Library, and other traveling projects. The essays and interview in this book highlight how two threads in Vidokle’s practice—unobtrusiveness and the freedom of self-sufficiency—are often interwoven, and are at the center of an intellectual proposal that undermines common assumptions about making art in the twenty-first century.
Mike BouchetSelected Works 1989-2009
This first monograph on American artist Mike Bouchet provides an overview of selected works from the last twenty years.
Olaf HolzapfelNakano Sakaue
Nakano Sakaue documents a series of photographs realized by Olaf Holzapfel during a residency in Tokyo. The artist has depicted a kind of residue from the city’s buildings: neon lights, images, and street signs, which are featured as so many promises for orientation.
Agnieszka KurantUnknown Unknown
The catalogue Unknown Unknown documents recent work by Polish artist and curator Agniezka Kurant and was published on the occasion of Kurant’s presentation at Frieze Projects 2008.
This book discusses Michael Sailstorfer’s most recent work, with a special focus on issues of space and site specificity.
Desiree Heiss, Ines Kaag, Manuel Raeder (Eds.)BLESS. Celebrating Ten Years of Themelessness: N° 00 – N° 29
This fully illustrated book features for the first time the wide range of Bless’ activity and documents a unique mode of cultural production.
Pecafil discusses issues of art in public space and the social-political implications of Michael Beutler’s work.
In all of his works the Danish artist demonstrates an interest in an expanded notion of ecology, one that encompasses cultural history and sociopolitics as well as natural resources.
Alex MorrisonGiving the Story a Treatment
Giving the Story a Treatment is the first comprehensive publication on Canadian artist Alex Morrison. Best known for his documentations on the skater culture, Morrison’s videos, photographs and drawings reveal the growing aestheticisation of the political within the cultural spectrum.
Cerith Wyn Evans“Cerith Wyn Evans”
“Cerith Wyn Evans” provides a comprehensive overview of the artist's body of work.
Vanessa Joan Müller and Nicolaus Schafhausen (Eds.)Bernhard Willhelm
This book provides an exemplary look at the work of Bernhard Willhelm, the German fashion designer whose sartorial skills have been hailed by both the fashion industry and the art world.
Gerard ByrneBooks, Magazines, and Newspapers
In his seminal essay, author George Baker links Gerard Byrne’s work to theater and notes that the presence of avant-garde dramatist Bertolt Brecht has never been less discussed, but more widely explored, than in the last decade of artistic practice.
This catalogue is the most comprehensive treatment of Michaela Melián’s oeuvre to date and constitutes, with numerous essays and illustrations, a long due documentation of the German artist’s work.
Lars Bang Larsen (Ed.)Sture Johannesson
This book, part psychedelic philosophy, part biography, is the first to present Sture Johannesson’s work in depth, documenting his affiliations with the “high” underground and the punk movement, his activism and his radical exploration of the relationships between art, politics, technology, and human consciousness.
“Odenbach’s art ... criss-crosses the structural hybridization of video-based conceptualism with reflection on the lived experience of globalization.” Kobena Mercer
Julia ScherAlways There
Always There offers a comprehensive survey of American artist Julia Scher’s work. The artist’s installations and performances have always featured a complex relation to techno-social control, demonstrating our complicity in the proliferating technologies used to surveil both our physical and virtual identities.
Kai AlthoffGebärden und Ausdruck
Gebärden und Ausdruck (Gestures and Expression) is the first comprehensive publication on the work of German artist Kai Althoff.
Urlaub constitutes Genzken’s multilayered inquiry into the meaning of work and leisure. “Artists never take vacations,” Genzken says, “but the entire art system urgently needs a vacation.”
Jeroen de Rijke / Willem de RooijAfter the Hunt
Dutch artists Jeroen de Rijke and Willem de Rooij received international recognition for their seemingly luxurious and self-reflexive 35mm films. This first comprehensive monograph discusses how Dutch painting, Minimal Art, and film conventions become the backdrop for a “cinema in its decontextualized form.”
Susanne Gaensheimer, Nicolaus Schafhausen (Eds.)Liam Gillick
This publication constitutes the first comprehensive documentation of the work of British artist Liam Gillick.