Jörg Heiser
Double Lives in Art and Pop Music
Maria Lind
Seven Years
The Rematerialisation of Art from 2011 to 2017
Jens Hoffmann
In the Meantime
Speculations on Art, Curating, and Exhibitions
Beatrice von Bismarck, Benjamin Meyer-Krahmer (Eds.)
Curatorial Things
Cultures of the Curatorial 4
Jesse Birch & Will Holder (Eds.)
Diedrich Diederichsen, Anselm Franke (Eds.)
Love and Ethnology
The Colonial Dialectic of Sensitivity (after Hubert Fichte)
Diedrich Diederichsen, Anselm Franke (Hrsg.)
Liebe und Ethnologie
Die koloniale Dialektik der Empfindlichkeit (nach Hubert Fichte)
The Museum Is Not Enough
The Museum Is Not Enough
Sandro Droschl (Ed.)
Abstract Hungary
Lukas Feireiss (Ed.)
Radical Cut-Up
Nothing Is Original
Barry Schwabsky
The Observer Effect
On Contemporary Painting
Ronny Delrue
Correspondances #1
Daniel Birnbaum, Sven-Olov Wallenstein
Spacing Philosophy
Lyotard and the Idea of the Exhibition
Hou Hanru, Xi Bei (Eds.)
The D-Tale
Video Art from the Pearl River Delta
April Lamm (Ed.)
An Exhibition Always Hides Another Exhibition
Texts on Hans Ulrich Obrist
Peter Wächtler
Jolly Rogers
Natasha Marie Llorens (Ed.)
Waiting for Omar Gatlato
A Survey of Contemporary Art from Algeria and Its Diaspora
Steven Henry Madoff (Ed.)
What about Activism?
Tristan Garcia, Vincent Normand (Eds.)
Theater, Garden, Bestiary
A Materialist History of Exhibitions
Gregor H. Lersch, Léontine Meijer-van Mensch (Eds.)
Mischa Kuball: res.o.nant
Pedro Barateiro
How to Make a Mask
Shirana Shahbazi
New Good Luck
Ana Ofak
Agents of Abstraction
Mari Slaattelid
Reinhold Görling, Barbara Gronau, Ludger Schwarte (Eds.)
Aesthetics of Standstill
Oliver Marchart
Conflictual Aesthetics
Artistic Activism and the Public Sphere
Karen van den Berg, Cara M. Jordan, Philipp Kleinmichel (Eds.)
The Art of Direct Action
Social Sculpture and Beyond
Alexandra Midal
Design by Accident
For a New History of Design
Michael Hieslmair, Michael Zinganel
Stop and Go
Nodes of Transformation and Transition
Francesco Garutti (Ed.)
Our Happy Life
Architecture and Well-Being in the Age of Emotional Capitalism
Nick Aikens, Elizabeth Robles (Eds.)
The Place Is Here
The Work of Black Artists in 1980s Britain
Sophia Yadong Hao (Ed.)
Of Other Spaces
Where Does Gesture Become Event?
Nina Canell
Stephen Sutcliffe
at Fifty
Herman Verkerk, Maurizio Montalti (Eds.)
Materialisation in Art & Design (MAD)
Donatella Bernardi (Ed.)
Art, Self & System
Jacob Lund
Anachrony, Contemporaneity, and Historical Imagination
Irma Blank
Eigenschriften, 1968–1973
Travis Jeppesen
Bad Writing
Anne Kockelkorn, Nina Zschocke (Eds.)
Productive Universals—Specific Situations
Critical Engagements in Art, Architecture, and Urbanism
Jill Johnston
The Disintegration of a Critic
Florian Hecker
Halluzination, Perspektive, Synthese
Igor Grubić
Traces of Disappearing (In Three Acts)
Verina Gfader et al.
The Last Resident
Erik Niedling with Ingo Niermann
Burial of the White Man
Jörg Heiser, Cristina Ricupero, Gahee Park (Eds.)
Divided We Stand
9th Busan Biennale 2018
Wilfrid Almendra
Light Boiled like Liquid Soap
Kate Newby
I can't nail the days down
The Fevered Specters of Art
Die fiebrigen Gespenster der Kunst
Nicolaus Schafhausen, Brigitte Oetker (Eds.)
What do we know? What do we have? What do we miss? What do we love?
Jahresring 65
Lawen Mohtadi / Katarina Taikon
The Day I Am Free / Katitzi
John C. Welchman
After the Wagnerian Bouillabaisse
Essays on European Avant-Garde Art
XX–XXI, Vol. 2
Melissa McCarthy
Sharks, Death, Surfers
An Illustrated Companion
Katharina Schendl (Ed.)
Notes on Contemporary Art in Kosovo
Tyler Coburn
Richard Roe
Steve Bishop
Elke Gaugele, Monica Titton (Eds.)
Fashion and Postcolonial Critique
Boy Vereecken (Ed.)
Herewith the Clues
Joanna Sokołowska (Ed.)
All Men Become Sisters
Markus Miessen, Zoë Ritts (Eds.)
On the Spatial Politics of Right-Wing Populism
Olga von Schubert
“100 Years of Now” and the Temporality of Curatorial Research
Donatien Grau (Ed.)
Paul in Paris / Paris in Paul
Doireann O’Malley
Andrea Pichl
Andrea Pichl
Iman Mersal
How to Mend
Motherhood and Its Ghosts
Haytham El-Wardany
How to disappear
Natascha Sadr Haghighian
How to spell the fight
Hubert Fichte
The Black City
Lou Cantor, Katherine Rochester (Eds.)
Intersubjectivity Vol. II
Scripting the Human
Josephine Berry
Art and (Bare) Life
A Biopolitical Inquiry
Aslan Gaisumov
Erkan Özgen
Giving Voices
Sterling Ruby, Raf Simons
Beyond the Collaboration
Judy Radul
This Is Television
Jumana Manna
A Small Big Thing
Rainer Ganahl
Manhattan Marxism
Amalia Pica
please listen hurry others speak better
Meg O'Rourke (Ed.)
Ornament and Crime
Babette Mangolte
Selected Writings, 1998–2015
Armen Avanessian, Lietje Bauwens, Wouter De Raeve, Alice Haddad, Markus Miessen (Eds.)
Perhaps It Is High Time for a Xeno-architecture to Match
Hermione Spriggs (Ed.)
Five Heads (Tavan Tolgoi)
Art, Anthropology and Mongol Futurism
Elisabeth Lebovici
The Name of Philippe Thomas /
Philippe Thomas’ Name
Torbjørn Rødland
Fifth Honeymoon
Guy Mees
The Weather is Quiet, Cool, and Soft
Georgia Sagri
Vincent Meessen
The Other Country / L'autre pays
Margaret-Anne Hutton
On Writing a Literary History of the Contemporary, or What is, or was, “the Contemporary,” and should we keep calling it that?
Mikkel Bolt Rasmussen
Hegel after Occupy
Contemporary Research Intensive
Contemporary Research Intensive
The Meal: A Conversation with Gilbert & George
On the Table VI
The only performances that make it all the way ...
Yes, but is it performable?
The only performances that make it all the way ...
Yes, but is it performable?
Ane Hjort Guttu
Writings, Conversations, Scripts
Magali Reus
Hot Cottons
As mist, description
Uriel Orlow
Theatrum Botanicum
Gianni Pettena
Non-Conscious Architecture
Alex Cecchetti
Tamam Shud
An Artist’s Novel
Omar Kholeif
Goodbye, World!
Looking at Art in the Digital Age
Virgil Abloh
“Insert Complicated Title Here”
Merlin Carpenter
“The Outside Can’t Go Outside”
Erik Hagen, Mario Pfeifer (Eds.)
Profit over Peace in Western Sahara
How commercial interests undermine self-determination in the last colony in Africa
Josephine Pryde
lapses in Thinking By the person i Am
Su-Mei Tse
Marcel Odenbach
Beweis zu nichts / Proof of Nothing
Ellen Cantor
A history of the world as it has become known to me
Isabelle Graw
The Love of Painting
Genealogy of a Success Medium
Jennifer Bornstein
Tom Nicholson
Lines towards Another
Aileen Burns, Tara McDowell, Johan Lundh (Eds.)
The Artist As
Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First.
Cosmin Costinaș, Ana Janevski (Eds.)
Is the Living Body the Last Thing Left Alive?
The New Performance Turn, Its Histories and Its Institutions
Marina Gržinić (Ed.)
Border Thinking
Disassembling Histories of Racialized Violence
Natasha Ginwala, Daniel Muzyczuk (Eds.)
The Museum of Rhythm
Cécile B. Evans
Alex Klein, Milena Hoegsberg (Eds.)
Myths of the Marble
Ineke Hans
Was ist Loos?
Wolfgang Tillmans, Brigitte Oetker (Eds.)
What Is Different?
Jahresring 64
Pierre Bal-Blanc (Ed.)
Project Phalanstère at CAC Brétigny, or “Of museum orgy or mixed omnigamy in composite and harmonic order”
Ingo Niermann, Joshua Simon (Eds.)
Solution 275–294
Communists Anonymous
Armen Avanessian
Dr. Daniel S. Berger, John Neff (Eds.)
Militant Eroticism
The ART+Positive Archives
Jon K Shaw, Theo Reeves-Evison (Eds.)
Fiction as Method
Wolfgang Tillmans, Brigitte Oetker (Eds.)
Was ist anders?
Jahresring 64
Lori Waxman
Keep Walking Intently
The Ambulatory Art of the Surrealists, the Situationist International, and Fluxus
Diedrich Diederichsen
(Over)production and Value /
(Über)Produktion und Wert
Peter G. Rowe
Design Thinking in the Digital Age
Oraib Toukan
Sundry Modernism
Materials for a Study of Palestinian Modernism
Khadija von Zinnenburg Carroll (Ed.)
Botanical Drift
Protagonists of the Invasive Herbarium
Cevdet Erek
How to imitate the sound of the shore using two hands and a carpet
Charlotte Birnbaum
Bon! Bon!
On the Charms of Sweet Cuisine
On the Table V
Visions of the Now
Stockholm Festival for Art and Technology
e-flux journal
Jalal Toufic
What Was I Thinking?
Knut Ebeling
There Is No Now
An Archaeology of Contemporaneity
Annika Bender
Death of an Art Critic /
Tod einer Kritikerin
ars viva 2018
Anna-Sophie Berger, Oscar Enberg, Zac Langdon-Pole
Anne Faucheret, David Jourdan (Eds.)
The Promise of Total Automation
Studio for Propositional Cinema
in relation to a Spectator:
Anamarija Batista, Szilvia Kovács, Carina Lesky (Eds.)
Rethinking Density
Art, Culture, and Urban Practices
Sam Thorne
School: A Recent History of Self-Organized Art Education
Michael Tedja
The Holarium: Negeren Series 818:32
Atelier Bow-Wow with K. Michael Hays
Architectural Ethnography
e-flux journal
Art without Death
Conversations on Russian Cosmism
Heman Chong
Ifs, Ands, or Buts
Craig Kalpakjian
Louise Schouwenberg (Ed.)
Material Utopias
Asta Gröting
Joasia Krysa (Ed.)
Systemics (or, Exhibition as a Series)
Index of Exhibitions and Related Materials, 2013–14
Marika Kuźmicz, Łukasz Ronduda (Eds.)
Workshop of the Film Form
Daniela Zyman, Cory Scozzari (Eds.)
Allan Sekula
T. J. Demos
Against the Anthropocene
Visual Culture and Environment Today
e-flux journal
What’s Love (or Care, Intimacy, Warmth, Affection) Got to Do with It?
Theo Eshetu
The Body Electric
Mari Shaw
Words, Books, and the Spaces They Inhabit
The Noble Art of Collecting, Book One
Bik Van der Pol (Ed.)
School of Missing Studies
Simryn Gill, Michael Taussig
Becoming Palm
Quinn Latimer
Like a Woman
Essays, Readings, Poems
Andrew Goodhouse (Ed.)
When Is the Digital in Architecture?
Blake Rayne
Tense and Spaced Out
Polar Nights, Glacial Chaos and the Ecology of Misery
Wolfgang Ernst
The Delayed Present
Media-Induced Tempor(e)alities & Techno-traumatic Irritations of “the Contemporary”
Raqs Media Collective
We Are Here, But Is It Now?
(The Submarine Horizons of Contemporaneity)
Dexter Sinister
Notes on the Type, Time, Letters & Spirits
David Claerbout
(The Real-Time Disintegration into Ruins of the Berlin Olympic Stadium over the Course of a Thousand Years)
Otobong Nkanga
Luster and Lucre
Pieter Van Bogaert, Martine Zoeteman, Christophe Coppens (Eds.)
Eternal Erasure—On Fashion Matters
Stephan Dillemuth
Schall und Rauch. Eine Revue in Bildern
Sound and Smoke—A Revue in Pictures
Andrew Herscher
Displacements: Architecture and Refugee
Critical Spatial Practice 9
Julia Grosse, Elke aus dem Moore, Yvette Mutumba (Eds.)
I am built inside you
Maria Thereza Alves
The Long Road to Xico / El largo camino a Xico, 1991–2015
duplicate > do not create, infiltrate > do not exhibit, exceed > do not belong, appear > do not claim, delegate > do not restrict
Mai Abu ElDahab, November Paynter, Marnie Slater (Eds.)
These are the tools of the present
Beirut Cairo
Martin Beck
An Organized System of Instructions
Lívia Páldi (Ed.)
The Site Residency
Margarida Mendes (Ed.)
Matter Fictions
Jesse Jones
The Other North
Pierre Bismuth
Things I Remember I Have Done, But Don’t Remember Why I Did Them—Towards a Catalogue Raisonné
Tom Humphreys
Olafur Eliasson
Green light
An artistic workshop
Leonard Qylafi
Occurrence in Present Tense
Ndodhi në kohën e tashme
Katja Novitskova
If Only You Could See What I’ve Seen with Your Eyes
Hearings: A Reader
Contour Biennale 8
Cecilia Vicuña
Read Thread
The Story of the Red Thread
Shirana Shahbazi
First Things First
Merlin Carpenter
Ernesto Neto and the Huni Kuin
Aru Kuxipa—Sacred Secret
Roee Rosen
Live and Die as Eva Braun and Other Intimate Stories
Olaf Holzapfel / Nahum Tevet
The Rough Law of Gardens
Omar Berrada (Ed.)
The 2017 Abraaj Group Art Prize
Armen Avanessian
Ethics of Knowledge—Poetics of Existence
Mario Garcí­a Torres
An Arrival Tale
Sven Lütticken
Cultural Revolution
Aesthetic Practice after Autonomy
Minouk Lim
United Paradox
Dave Hullfish Bailey + Sam Watson
CityCat Project 2006–2016
Helke Bayrle
Portikus Under Construction, 1992–2016
Thomas Keenan, Suhail Malik, Tirdad Zolghadr (Eds.)
The Flood of Rights
Edgar Leciejewski
Reto Pulfer
Zustandskatalog: Catalog of States and Conditions
Luca Lo Pinto (Ed.)
One, No One and One Hundred Thousand
Marcus Verhagen
Flows and Counterflows
Globalisation in Contemporary Art
The Exquisite Corpse of August Nordenskiöld
Robert Stadler, Alexis Vaillant (Eds.)
On Things as Ideas
Sara van der Heide
The German Library Pyongyang
Die deutsche Informationsbibliothek Pjöngjang
Joanna Warsza (Ed.)
I Can’t Work Like This
A Reader on Recent Boycotts and Contemporary Art
Daniel Birnbaum, Kim West
Life on Sirius
The Situationist International and the Exhibition after Art
Ryan Bishop, Kristoffer Gansing, Jussi Parikka, Elvia Wilk (Eds.)
across & beyond
A transmediale Reader on Post-digital Practices, Concepts, and Institutions
Jesse Birch (Ed.)
Black Diamond Dust
Eva Barois De Caevel, Els Roelandt (Eds.)
Cercle d’art des travailleurs de plantation congolaise
Congolese Plantation Workers Art League
Bulletins of The Serving Library #12
Winter 2016/17
Alex Coles (Ed.)
EP Vol. 2
Design Fiction
Chus Martí­nez
Club Univers
Beatrice von Bismarck, Benjamin Meyer-Krahmer (Eds.)
Cultures of the Curatorial 3
Hospitality: Hosting Relations in Exhibitions
Victor Man
Luminary Petals on a Wet, Black Bough
Eberhard Havekost
Lydia Okumura
Spaces of Commoning
Artistic Research and the Utopia of the Everyday
Darja Bajagić
Unlimited Hate
Boris Groys (Ed.)
Beyond the Globe
8th Triennial of Contemporary Art U3
Martin Herbert
Tell Them I Said No
Hannah Rickards
Grey light
Left and right back, high up, two small windows
Anthony Downey (Ed.)
Future Imperfect
Contemporary Art Practices and Cultural Institutions in the
Middle East
Nathalie Du Pasquier
Ute Meta Bauer, Brigitte Oetker (Eds.)
Spaces of the Curatorial/Räume des Kuratorischen
Jahresring 63
Margit Busch
IF—THEN—ELSE. Welcome to Transciency
Preis der Kunsthalle Wien 2016
Andrej Polukord
The Sarcophagus
Preis der Kunsthalle Wien 2016
Sophia Yadong Hao, Edgar Schmitz (Eds.)
Hubs and Fictions
On Current Art and Imported Remoteness
Monica Ross
Ethical Actions
A Critical Fine Art Practice
Boris Groys
Particular Cases
Jan Paul Evers, Leon Kahane, Jumana Manna
ars viva 2017
James Richards
Requests and Antisongs
Anastasiya Yarovenko
Preis der Kunsthalle Wien 2015
Karina Mendreczky
Preis der Kunsthalle Wien 2015
Boy Vereecken (Ed.)
Signature Strengths
Geoff Cox, Jacob Lund
The Contemporary Condition
Introductory Thoughts on Contemporaneity and Contemporary Art
Jussi Parikka
A Slow, Contemporary Violence
Damaged Environments of Technological Culture
Terry Smith
The Contemporary Composition
Lawrence Abu Hamdan
A Politics of Listening in 4 Acts
Gordon Bennett
Be Polite
Nicholas Mangan
Limits to Growth
Angela Bulloch, Maria Zerres
Considering Dynamics and the Forms of Chaos
Tirdad Zolghadr
Jill Magid
The Proposal
Critical Spatial Practice 8
Keren Cytter
A–Z Life Coaching
Shezad Dawood
Francis McKee
How to Know What’s Really Happening
David Harvey
Abstract from the Concrete
Irena Haiduk
Seductive Exacting Realism
Ingo Niermann
Solution 257
Complete Love
Michalis Pichler (Ed.)
Books and Ideas after Seth Siegelaub
Sabeth Buchmann, Ilse Lafer, Constanze Ruhm (Eds.)
Putting Rehearsals to the Test
Practices of Rehearsal in Fine Arts, Film, Theater, Theory, and Politics
Samuel Bianchini, Emanuele Quinz (Eds.)
Behavioral Objects I
A Case Study: Céleste Boursier-Mougenot
Pauline Boudry/Renate Lorenz
I Want
T. J. Demos
Decolonizing Nature
Contemporary Art and the Politics of Ecology
Barbara Gronau, Matthias von Hartz, Carolin Hochleichter (Eds.)
How to Frame
On the Threshold of Performing and Visual Arts
The Baltic Atlas
The Baltic Atlas
Kate Cooper
Bulletins of The Serving Library #11
Summer 2016
Lívia Páldi, Olav Westphalen (Eds.)
Dysfunctional Comedy
A Reader
Apple. An Introduction
(Over and over and once again)
Vanessa Joan Müller, Cristina Ricupero, Nicolaus Schafhausen (Eds.)
New Ways of Doing Nothing
Markus Miessen
Toward Participation as Critical Spatial Practice
Florian Malzacher, Ahmet Öğüt, Pelin Tan (Eds.)
The Silent University
Towards a Transversal Pedagogy
Abraham Adams, Lou Cantor (Eds.)
Intersubjectivity Vol. 1
Language and Misunderstanding
James Voorhies (Ed.)
What Ever Happened to New Institutionalism?
Florian Hecker
John McCracken
Florian Hecker
John McCracken
Fredrik Værslev
All Around Amateur
Helge Mooshammer, Peter Mörtenböck
Visual Cultures as Opportunity
Els Silvrants-Barclay, Pieternel Vermoortel (Eds.)
Cave 1—Territories
John Douglas Millar
Brutalist Readings
Essays on Literature
A Conversation at Cabaret Voltaire, Zurich
Jens Hoffmann (Ed.)
United States of Latin America
Simon Battisti, Leah Whitman-Salkin, Åbäke (Eds.)
I Have Left You the Mountain
Lara Favaretto
Ageing Process
Charlemagne Palestine
Josephine Meckseper
10 minutes after
Ina Blom
The Autobiography of Video
The Life and Times of a Memory Technology
Susanne Kriemann
Olivia Plender
Rise Early, Be Industrious
The Ambivalence of a New Visibility /
Zur Ambivalenz einer neuen Sichtbarkeit
Hugo Boss Asia Art
Award for Emerging Asian Artists 2015
Hugo Boss Asia Art
Award for Emerging Asian Artists 2015
Markus Miessen, Yann Chateigné (Eds.)
The Archive as a Productive Space of Conflict
Annette Gilbert (Ed.)
Publishing as Artistic Practice
Wendelien van Oldenborgh
Frederick Kiesler
Function Follows Vision, Vision Follows Reality
Eva Grubinger
Black Diamond Bay
Nav Haq (Ed.)
Syntax and Society
The Abraaj Group Art Prize 2016
Chen Zhen
Without going to New York and Paris, life could be internationalized
Isabelle Graw, Ewa Lajer-Burcharth (Eds.)
Painting beyond Itself
The Medium in the Post-medium Condition
Luca Lo Pinto, Nicolaus Schafhausen, Anne-Claire Schmitz (Eds.)
Individual Stories
John C. Welchman
Past Realization: Essays on Contemporary European Art
XX–XXI, Vol. 1
Shahryar Nashat
Felicity D. Scott
Disorientation: Bernard Rudofsky in the Empire of Signs
Critical Spatial Practice 7
Bulletins of The Serving Library #10
Winter 2015
Boris Ondreička, Nadim Samman (Eds.)
Rare Earth
Jesko Fezer & Studio Experimentelles Design (Eds.)
Öffentliche Gestaltungsberatung—Public Design Support 2011–2016
Roee Rosen
The Blind Merchant
Ull Hohn
Foregrounds, Distances
Suzana Milevska (Ed.)
On Productive Shame, Reconciliation, and Agency
Olafur Eliasson
Baroque Baroque
e-flux journal
Benjamin H. Bratton
Dispute Plan to Prevent Future Luxury Constitution
Tom Burr
Anthology: Writings 1991–2015
Dexter Sinister
Universal Serial Bus
Jos de Gruyter & Harald Thys
Fine Arts
Jos de Gruyter & Harald Thys
Die Schmutzigen Puppen von Pommern
Mierle Laderman Ukeles
Seven Work Ballets
Cord Riechelmann, Brigitte Oetker (Eds.)
Toward an Aesthetics of Living Beings /
Zu einer Ästhetik des Lebendigen
Jahresring 62
Keren Cytter, Nora Schultz
Christiane Erharter, Hans Scheirl, Dietmar Schwärzler, Ruby Sircar (Eds.)
Pink Labor on Golden Streets
Queer Art Practices
Black Transparency
The Right to Know in the Age of Mass Surveillance
Mario Pfeifer
Approximation in the digital age for a humanity condemned to disappear
Cosmin Costinaş, Inti Guerrero, Lesley Ma (Eds.)
A Journal of the Plague Year
Joana Hadjithomas & Khalil Joreige
The Rumors of the World
Rethinking Trust in the Age of the Internet
Marcos Lutyens
Memoirs of a Hypnotist
100 Days
Tony Conrad
Two Degrees of Separation / Über zwei Ecken
Irena Haiduk
Michel Butor, Dan Graham
Ingo Niermann
Solution 264–274
Drill Nation
Alhena Katsof, Dana Yahalomi
Solution 263
Double Agent
Bulletins of The Serving Library #9
Summer 2015
Mai Abu ElDahab (Ed.)
Final Vocabulary
Anne Lacaton, Jean-Philippe Vassal
Freedom of Use
Eyal Weizman
The Roundabout Revolutions
Critical Spatial Practice 6
Dora García
Mad Marginal Cahier #4
I See Words, I Hear Voices
Sarah Entwistle
Please send this book to my mother
Politische Landschaft/Political Landscape
Kunst, Widerstand, Salzkammergut
Christoph Behnke, Cornelia Kastelan, Valérie Knoll, Ulf Wuggenig (Eds.)
Art in the Periphery of the Center
Nikolaus Hirsch, Antto Melasniemi, Michel Müller, Rirkrit Tiravanija (Eds.)
Vincent Fecteau
Vincent Fecteau
Vanessa Joan Müller, Nicolaus Schafhausen (Eds.)
The Brancusi Effect
An Archival Impulse
Two Days after Forever
A Reader on the Choreography of Time
Christodoulos Panayiotou
The Cyprus Pavilion, Biennale Arte 2015
Filip Markiewicz
Paradiso Lussemburgo
Mario Pfeifer, Kamran Sadeghi
Benjamin Seror
Mime Radio
Jaanus Samma
Not Suitable for Work. A Chairman’s Tale
Christoph Cox, Jenny Jaskey, Suhail Malik (Eds.)
Realism Materialism Art
Jens Hoffmann
Theater of Exhibitions
Eva Grubinger, Jörg Heiser (Eds.)
Sculpture Unlimited 2
Materiality in Times of Immateriality
Flaka Haliti
Speculating on the Blue
Sabine Folie (Ed.)
Gesammelte Wörter und Bilder
Collected Words and Images
Ane Hjort Guttu
eating or opening a window or just walking dully along
Joseph Kellner (Ed.)
Furniture of the Fogo Island Inn
Mathilde ter Heijne
Performing Change
Armando Lulaj
Albanian Trilogy
A Series of Devious Stratagems
Pierre Hermé
The Architecture of Taste
e-flux journal
The Internet Does Not Exist
Mirjam Thomann
Rike Frank, Grant Watson (Eds.)
Open Letter
Gabriel Lester
Forced Perspectives
Inke Arns (Ed.)
World of Matter
Jutta Koether
Artist Novels
The Book Lovers Publication
Taiping Tianguo: A History of Possible Encounters
Ai Weiwei, Frog King Kwok, Tehching Hsieh, and Martin Wong in New York
Yto Barrada
Before History
The Abraaj Group Art Prize 2015
Amar Kanwar
The Sovereign Forest
Olaf Holzapfel
die Technik des Landes
(The Technology of the Land)
Sophie von Olfers, Mark von Schlegell (Eds.)
Hamlet, mise-en-scène
EXTRA TROUBLE—Jack Smith in Frankfurt
Christiane Kruse, Antje Majewski (Eds.)
Art, Nature, and Ethics
Bulletins of The Serving Library #8
Winter 2014
Lou Cantor, Clemens Jahn (Eds.)
Turning Inward
João Ribas (Ed.)
In the Holocene
K. D.
Nicole Brenez
“We Support Everything since the Dawn of Time That Has Struggled and Still Struggles”
Introduction to Lettrist Cinema
Mikkel Bolt Rasmussen
Playmates and Playboys at a Higher Level
J. V. Martin and the Situationist International
F. T. Marinetti and Fillìa
The Futurist Cookbook
On the Table IV
Axel Wieder, Florian Zeyfang (Eds.)
Open Form
Space, Interaction, and the Tradition of Oskar Hansen
Noon on the Moon
Poetic Series #4
Renate Lorenz (Ed.)
Not Now! Now!
Chronopolitics, Art & Research
Stephanie Kloss
Felix Ensslin, Charlotte Klink (Eds.)
Aesthetics of the Flesh
Jos de Gruyter & Harald Thys
Das Wunder des Lebens
Carsten Höller
Kevin Schmidt
EDM House
Michael Tedja
Manfred Hermes
Hystericizing Germany
Fassbinder, Alexanderplatz
Ilit Azoulay
Finally Without End
Jenni Tischer
Gerry Bibby
The Drumhead
Piper Marshall (Ed.)
Descartes’ Daughter
Paul Sietsema
At the hour of tea
Dominic Eichler, Brigitte Oetker (Eds.)
Jahresring 61
Ana Teixeira Pinto (Ed.)
The Reluctant Narrator
A Survey of Narrative Practices Across Media
Josef Bauer
Werke 1965–Heute
Works 1965–Today
Leander Schönweger
Die Nebel lichten sich
Mark von Schlegell
Ickles, Etc.
Critical Spatial Practice 5
Maria Lind, What, How & for Whom/WHW (Eds.)
Art and the F Word
Reflections on the Browning of Europe
Maren Butte, Kirsten Maar, Fiona McGovern, Marie-France Rafael, Jörn Schafaff (Eds.)
Assign & Arrange
Methodologies of Presentation in Art and Dance
Bulletins of The Serving Library #7
Summer 2014
Isa Genzken
I'm Isa Genzken, the Only Female Fool
Krüger & Pardeller
Liz Magic Laser
Public Relations / Öffentlichkeitsarbeit
Ines Lechleitner
The Imagines
Thomas Thiel (Ed.)
Museum Off Museum
Yarisal & Kublitz
Bling blang, ching chang, give me some of that yin yang
Pauline Boudry/Renate Lorenz
Eva Grubinger
Café Nihilismus
Michael Schindhelm
Solution 262
Elke Gaugele (Ed.)
Aesthetic Politics in Fashion
Katja Eydel
Schattenfuge / Shadow Gap
Beatrice von Bismarck, Rike Frank, Benjamin Meyer-Krahmer, Jörn Schafaff, Thomas Weski (Eds.)
Cultures of the Curatorial 2
Timing: On the Temporal Dimension of Exhibiting
Lisa Oppenheim
Works 2003–2013
Binna Choi, Maria Lind, Emily Pethick, Nataša Petrešin-Bachelez (Eds.)
Cluster: Dialectionary
Florian Zeyfang
Slow Narration Moving Still
Cristina Ricupero, Defne Ayas, Amira Gad (Eds.)
The Crime Was Almost Perfect
Yael Bartana
Two Minutes of Standstill
A Collective Performance by Yael Bartana
Fear of Language
Poetic Series #3
Hu Fang
Dear Navigator
Ulrike Grossarth
Wäre ich von Stoff, ich würde mich färben /
Were I Made of Matter, I Would Color
Michel Auder
Stories, Myths, Ironies, and Other Songs: Conceived, Directed, Edited, and Produced by M. Auder
Tone Hansen, Marit Paasche (Eds.)
We Are Living on a Star
Tone Hansen, Lars Bang Larsen (Eds.)
The Phantom of Liberty
Contemporary Art and the Pedagogical Paradox
Ken Okiishi, Annie Godfrey Larmon, Alise Upitis
The Very Quick of the Word
Carola Dertnig, Felicitas Thun-Hohenstein (Eds.)
Performing the Sentence
Research and Teaching in Performative Fine Arts
Carola Dertnig, Diedrich Diederichsen, Tom Holert, et al. (Eds.)
Troubling Research
Performing Knowledge in the Arts
Roee Rosen
Maxim Komar-Myshkin: Vladimir’s Night
Chantal Pontbriand (Ed.)
How to Do Things with[out] Words
Victor Burgin
Five Pieces for Projection
steirischer herbst, Florian Malzacher (Eds.)
Truth Is Concrete
A Handbook for Artistic Strategies in Real Politics
Keller Easterling
Critical Spatial Practice 4
Silke Otto-Knapp
Questions of Travel
J. Parker Valentine
e-flux journal
Jalal Toufic
Second edition
Peacocks with Hiccups
Poetic Series #2
Hito Steyerl
Too Much World
The Films of Hito Steyerl
Armen Avanessian, Andreas Töpfer
Speculative Drawing: 2011–2014
The Architecture of Public Truth
Ion Grigorescu
Diaries 1970–1975
Brian O’Doherty
The Crossdresser’s Secret
Beatriz Colomina
Manifesto Architecture: The Ghost of Mies
Critical Spatial Practice 3
Georg Schöllhammer, Ruben Arevshatyan (Eds.)
Sweet Sixties
Specters and Spirits of a Parallel Avant-Garde
Bulletins of The Serving Library #6
Winter 2013
Hans Ulrich Obrist
Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground
Brian Dillon
Objects in This Mirror
Kim Gordon
Is It My Body?
Selected Texts
Martin Herbert
The Uncertainty Principle
Nina Canell
Stray Warmings
Jan Verwoert
Melissa Gordon
Material Evidence
Model House Research Group (Ed.)
Transcultural Modernisms
Alessandro Petti, Sandi Hilal, Eyal Weizman
Architecture after Revolution
Petra Reichensperger (Ed.)
Terms of Exhibiting (from A to Z) /
Begriffe des Ausstellens (von A bis Z)
Peter Wächtler
Come On
Haegue Yang
Dare to Count Phonemes and Graphemes
Jakob Schillinger (Ed.)
The Sixth Year
Issa Samb
Issa Samb and the Undecipherable Form
Aleksandra Mir
The Space Age
Ion Grigorescu
Omul cu o singur camer / The Man with a Single Camera
Geta Brătescu
Atelierul | The Studio
Andrea Pichl
Andrea Pichl
Daniel Maier-Reimer
The Italian Journeys of
Four Walks by Daniel Maier-Reimer, 2012–2013
Rémy Zaugg
The Art Museum of My Dreams
or A Place for the Work and the Human Being
Chantal Pontbriand
The Contemporary, the Common
Art in a Globalizing World
Kirsty Bell
The Artist’s House
From Workplace to Artwork
Attention Economy
Jahresring 60: Jahrbuch für moderne Kunst
The Atlantis Search Engine
Poetic Series #1
John Smith
John Smith
Nina Möntmann (Ed.)
A Reader on Art and Ethics
Gavin Butt, Irit Rogoff
Visual Cultures as Seriousness
Astrid Schmetterling, Lynn Turner
Visual Cultures as Recollection
Jorella Andrews, Simon O'Sullivan
Visual Cultures as Objects and Affects
Barry Schwabsky
Words for Art
Criticism, History, Theory, Practice
e-flux journal
Martha Rosler
Culture Class
Deborah Ligorio
Survival Kits
Karen van den Berg, Ursula Pasero (Eds.)
Art Production beyond the Art Market?
Zin Taylor
Lichen Voices/Stripes and Dots
Douglas Coupland
Shopping in Jail
Ideas, Essays, and Stories for the Increasingly Real Twenty-First Century
Ekaterina Degot, David Riff (Eds.)
Monday Begins on Saturday
Anaël Lejeune, Olivier Mignon, Raphaël Pirenne (Eds.)
French Theory and American Art
Sven Lütticken
History in Motion
Time in the Age of the Moving Image
Diedrich Diederichsen, Anselm Franke (Eds.)
The Whole Earth
California and the Disappearance of the Outside
Cerith Wyn Evans
The What If?... Scenario (after LG)
Bulletins of The Serving Library #5
Summer 2013
Kate Newby
Let the other thing in
Marie-Louise Ekman
No Is Not an Answer
On the Work of Marie-Louise Ekman
Milena Hoegsberg, Cora Fisher (Eds.)
Living Labor
Marysia Lewandowska, Laurel Ptak (Eds.)
Undoing Property?
Ingo Niermann (Ed.)
Solution 247–261
Greg Lynn (Ed.)
Archaeology of the Digital
Hilke Wagner, Axel Wieder (Eds.)
Susanne Kriemann
Alex Coles, Catharine Rossi (Eds.)
EP Vol. 1
The Italian Avant-Garde, 1968–1976
Joanna Warsza (Ed.)
Ministry of Highways
A Guide to the Performative Architecture of Tbilisi
Donatien Grau
The Age of Creation
Joshua Simon
Gardar Eide Einarsson
Versuchsstation des Weltuntergangs
Mara Ambrožič, Angela Vettese (Eds.)
Art as a Thinking Process
Visual Forms of Knowledge Production
Thomas Thiel (Ed.)
Dénes Farkas
Evident in Advance
Thomas Keenan, Tirdad Zolghadr (Eds.)
The Human Snapshot
Dorothee Böhm, Petra Lange-Berndt, Dietmar Rübel (Eds.)
A World of Wild Doubt
T. J. Demos
Return to the Postcolony
Specters of Colonialism in Contemporary Art
Jos de Gruyter & Harald Thys
M HKA 08 02 13 - 19 05 13
Charlotte Birnbaum
Pies, Pâtés, and Pastries
Secrets Old and New of the Art of Cooking
On the Table III
Marcel Duchamp/Ulf Linde
De ou par Marcel Duchamp par Ulf Linde
Mai Abu ElDahab (Ed.)
Behave Like an Audience
Apolonija Šušteršič
Selected Projects, 1995–2012
Jorge Pardo
Beatrice Gibson
The Tiger's Mind
Clara Meister (Ed.)
Compilation of Translations: One Year at Ludlow 38
Sharon Lockhart
Sharon Lockhart | Noa Eshkol
Bulletins of The Serving Library #4
Winter 2012
A Variation on Powers of Ten
Ruth Buchanan
The weather, a building
Markus Miessen, Chantal Mouffe
The Space of Agonism
Critical Spatial Practice 2
Lene Berg
Lene Berg
Katja Gretzinger (Ed.)
In a Manner of Reading Design
Maria Fusco, Ursula Mayer
Jessica Warboys
Steve Rushton
Masters of Reality
Omer Fast
5,000 Feet Is the Best
Isabelle Graw, Daniel Birnbaum, Nikolaus Hirsch (Eds.)
Thinking through Painting
Reflexivity and Agency beyond the Canvas
Tirdad Zolghadr
Tom McCarthy, Simon Critchley, et al.
The Mattering of Matter
Documents from the Archive of the International Necronautical Society
Valérie Knoll, Hannes Loichinger, Magnus Schäfer (Eds.)
Dealing with—Some Texts, Images, and Thoughts Related to American Fine Arts, Co.
Hito Steyerl
e-flux journal
The Wretched of the Screen
Nikolaus Hirsch, Markus Miessen (Eds.)
What Is Critical Spatial Practice?
Critical Spatial Practice 1
Fabian Marti, Cristina Ricupero (Eds.)
Cosmic Laughter No. 1
Triple Canopy (Ed.)
Invalid Format
An Anthology of Triple Canopy, Vol. 2
Beatrice von Bismarck, Jörn Schafaff, Thomas Weski (Eds.)
Cultures of the Curatorial
Zak Kyes
Zak Kyes Working With...
Bulletins of The Serving Library #3
Summer 2012
Mai Abu ElDahab (Ed.)
After Berkeley
Objectif Exhibitions, 2010–2011
Jonatan Habib Engqvist, Annika Enqvist, Michele Masucci, Lisa Rosendahl, Cecilia Widenheim (Eds.)
Work, Work, Work
A Reader on Art and Labour
Keren Cytter
D.I.E. Now
The True Story of John Webber and His Endless Struggle with the Table of Content
Akram Zaatari
A Conversation with an Imagined Israeli Filmmaker Named Avi Mograbi
Erik Niedling with Ingo Niermann
The Future of Art: A Diary
Boris Groys (Ed.)
e-flux journal
Moscow Symposium
Conceptualism Revisited
Johanna Burton, Lynne Cooke, Josiah McElheny (Eds.)
CCS Readers: Perspectives on Art and Culture
Juliane Rebentisch
Aesthetics of Installation Art
Maria Lind (Ed.)
Performing the Curatorial
Within and Beyond Art
Actors, Agents and Attendants
Social Housing—Housing the Social: Art, Property and Spatial Justice
Maria Loboda
Oh, Wilderness
Simon Starling / Superflex
Reprototypes, Triangulations and Road Tests
Paul Sietsema
interviews on films and works
Nikolaus Hirsch, Shveta Sarda (Eds.)
Cybermohalla Hub
Martin Beck
The Aspen Complex
Matthias Ulrich (Ed.)
Playing the City: Interviews
Yorgos Sapountzis
A statue has remembered me / Eine Statue hat sich an mich erinnert
Marianne Heier
Tobias Spichtig
Blue, Red, and Green
Alex Coles
The Transdisciplinary Studio
Eva Grubinger
finger in the pie
Charlotte Birnbaum (Ed.)
The Beauty of the Fold
A Conversation with Joan Sallas
On the Table II
Raimundas Malašauskas
Paper Exhibition
Selected Writings by Raimundas Malašauskas
Carson Chan, Nadim Samman (Eds.)
Higher Atlas/Au-delà de l’Atlas
The Marrakech Biennale [4] in Context
Thomas Keenan, Eyal Weizman
Mengele's Skull: The Advent of a Forensic Aesthetics
Flaca / Tom Humphreys
Flaca / Tom Humphreys
Charlotte Moth
Bleckede 2009 / Rochechouart 2011
Bulletins of The Serving Library #2
Winter 2011
Maria Lind, Olav Velthuis (Eds.)
Contemporary Art and Its Commercial Markets
A Report on Current Conditions and Future Scenarios
Tariq Ramadan
On Super-Diversity
Eva Grubinger, Jörg Heiser (Eds.)
Sculpture Unlimited
Hassan Khan
The Agreement
Five Stories by Hassan Khan
Design Act
Socially and Politically Engaged Design Today—Critical Roles and Emerging Tactics
Isabelle Graw, Daniel Birnbaum, Nikolaus Hirsch (Eds.)
Art and Subjecthood
The Return of the Human Figure in Semiocapitalism
Markus Miessen, Andrea Phillips (Eds.)
Actors, Agents and Attendants
Caring Culture: Art, Architecture and the Politics of Health
Synne Bull, Marit Paasche (Eds.)
Urban Images
Unruly Desires in Film and Architecture
Tauba Auerbach
Martti Kalliala with Jenna Sutela and Tuomas Toivonen
Solution 239–246
Finland: The Welfare Game
Chris Evans
Goofy Audit
Markus Miessen
The Nightmare of Participation
(Crossbench Praxis as a Mode of Criticality)
Binna Choi, Axel Wieder (Eds.)
Casco Issues XII: Generous Structures
Mai Abu ElDahab, Binna Choi, Emily Pethick (Eds.)
Circular Facts
Antje Majewski
The World of Gimel
How to Make Objects Talk
Juan A. Gaitán, Nicolaus Schafhausen, Monika Szewczyk (Eds.)
Ingo Niermann with Erik Niedling
The Future of Art: A Manual
Mai Abu ElDahab (Ed.)
From Berkeley to Berkeley
Objectif Exhibitions, 2008-2010
Marit Paasche, Judy Radul (Eds.)
A Thousand Eyes
Media Technology, Law, and Aesthetics
Pauline J. Yao, Rania Ho, Wang Wei (Eds.)
3 Years: Arrow Factory
Merlin Carpenter
The Opening
Mark von Schlegell
New Dystopia
Charlotte Birnbaum (Ed.)
Three Banquets for a Queen
On the Table I
R. H. Quaytman
Brice Dellsperger
Brice Dellsperger’s Body Double
tranzit.hu (Ed.)
Art Always Has Its Consequences
Artists’ Texts from Croatia, Hungary, Poland, Serbia, 1947–2009
Julieta Aranda, Brian Kuan Wood, Anton Vidokle (Eds.)
e-flux journal
Are You Working Too Much?
Post-Fordism, Precarity, and the Labor of Art
Bulletins of The Serving Library #1
Summer 2011
Ewa Lajer-Burcharth
Chardin Material
Sebastian Cichocki, Galit Eilat (Eds.)
A Cookbook for Political Imagination
Birgit Megerle
Birgit Megerle
Andreas Eriksson
Nordic Pavilion
54th Venice Biennale, 2011
Dora García
Mad Marginal Cahier #2
The Inadequate
Zin Taylor
Brian Dillon
Christoph Schlingensief
German Pavilion
54th Venice Biennale, 2011
Armen Avanessian, Luke Skrebowski (Eds.)
Aesthetics and Contemporary Art
Sung Hwan Kim
Ki-da Rilke
Solution 214–238
The Book of Japans
Libia Castro & Ólafur Ólafson
Under Deconstruction
Icelandic Pavilion
54th Venice Biennale, 2011
Fia Backström
Nordic Pavilion
54th Venice Biennale, 2011
Markus Weisbeck
Anton Vidokle
New York Conversations
Hans Dickel and Lisa Puyplat (Eds.)
Reading Susanne Kriemann
Wendelien van Oldenborgh
A Well Respected Man, or Book of Echoes
April Lamm (Ed.)
Hans Ulrich Obrist
Everything You Always Wanted to Know About Curating*
*But Were Afraid to Ask
Joshua Simon (Ed.)
Solution 196–213
United States of Palestine-Israel
Miki Kratsman
all about us
Martin Ebner, Florian Zeyfang (Eds.)
Poor Man’s Expression
Technology, Experimental Film, Conceptual Art
A Compendium in Texts and Images
Valérie Mannaerts
An Exhibition—Another Exhibition
Alexis Vaillant (Ed.)
Fetishes of Crisis
Gabriel Kuri
join the dots and make a point
Knut Åsdam
The long gaze, the short gaze
Søren Grammel (Ed.)
Der symbolische Auftraggeber/The Symbolic Commissioner
Mario Pfeifer
Reconsidering The new Industrial Parks near Irvine, California by Lewis Baltz, 1974
by Mario Pfeifer, 2009
Alexis Vaillant (Ed.)
Options with Nostrils
e-flux journal
Boris Groys
Going Public
Maria Fusco
The Mechanical Copula
Maria Lind
Selected Maria Lind Writing
Hu Fang
Garden of Mirrored Flowers
John Kelsey
Rich Texts
Selected Writing for Art
Jan Verwoert
Tell Me What You Want, What You Really, Really Want
Shahryar Nashat
Downscaled and Overthrown
Andrea Geyer/Katya Sander
Meaning Is What Hides the Instability of One’s Position
Ingo Niermann
Solution 186–195
Dubai Democracy
Internal Necessity
A Reader Tracing the Inner Logics of the Contemporary Art Field
Agnieszka Kurant/Aleksandra Wasilkowska
Emergency Exit
Magnus af Petersens (Ed.)
Keren Cytter
Angelika Burtscher, Judith Wielander (Eds.)
“where art leaves its own field and becomes visible as part of something else”
Under One Umbrella
Retroperspective Home N° 30 – N° 41
Julieta Aranda, Brian Kuan Wood, Anton Vidokle (Eds.)
e-flux journal
What Is Contemporary Art?
Daniel Birnbaum, Isabelle Graw (Eds.)
The Power of Judgment
A Debate on Aesthetic Critique
Auguste Orts
Moyra Davey
Speaker Receiver
Nav Haq, Tirdad Zolghadr (Eds.)
Lapdogs of the Bourgeoisie
Class Hegemony in Contemporary Art
Jean-Yves Leloup
Digital Magma
Maria Lind (Ed.)
Philippe Parreno
Haegue Yang
Siblings and Twins
Raqs Media Collective
Julika Rudelius
Soft Intrusion
Tirdad Zolghadr
Solution 168–185
Peter Friedl
Secret Modernity
Selected Writings and Interviews 1981–2009
Peter Friedl
Die heimliche Moderne
Ausgewählte Texte und Interviews 1981–2009
Anselm Franke (Ed.)
Animism (Volume I)
Agnieszka Brzezanska
L’artiste, le modèle et la peinture
Dieter Daniels, Gunther Reisinger (Eds.)
Net Pioneers 1.0
Contextualizing Early Net-Based Art
Isabelle Graw
High Price
Art Between the Market and Celebrity Culture
Joseph Grigely
Exhibition Prosthetics
Bettina Funcke
Pop or Populus
Art Between High and Low
Magnus Ericson, Martin Frostner, Zak Kyes, Sara Teleman, Jonas Williamsson (Eds.)
Iaspis Forum on Design and Critical Practice
The Reader
Friedrich Kunath
Home wasn’t built in a day
The Otolith Group
A Long Time Between Suns
Helke Bayrle
Portikus Under Construction
Dominic Eichler
Written All Over Us
Dexter Sinister
Portable Document Format
Julieta Aranda, Brian Kuan Wood, Anton Vidokle (Eds.)
e-flux journal reader 2009
Céline Condorelli
Support Structures
Sylvère Lotringer (Ed.)
The German Issue
Diango Hernández
Losing You Tonight
Anton Vidokle
Produce, Distribute, Discuss, Repeat
Nikolaus Hirsch, Wolfgang Lorch, Andrea Wandel (Eds.)
Gleis 17/Track 17
Jean-Luc Blanc
Opera Rock
Dave Hullfish Bailey
What’s Left
Sabine Bitter & Helmut Weber
Autogestion, or Henri Lefebvre in New Belgrade
Nikolaus Hirsch, Philipp Misselwitz, Markus Miessen, Matthias Görlich (Eds.)
Institution Building
Artists, Curators, Architects in the Struggle for Institutional Space
Cecilia Widenheim (Ed.)
Voice Over
On Staging and Performative Strategies in Contemporary Art
Mike Bouchet
Selected Works 1989-2009
Liam Gillick
How Are You Going to Behave? A Kitchen Cat Speaks
Wie würden Sie sich verhalten? Eine Küchenkatze spricht
Jörg Heiser (Ed.)
Fare una scenata / Making a Scene
Sven Lütticken
Idols of the Market
Modern Iconoclasm and the Fundamentalist Spectacle
Loris Gréaud
Trajectories and Destinations
Volume 1
Ingo Niermann
Solution 1–10
Simon Dybbroe Møller
Nicolas Bourriaud
The Radicant
Klaus Weber
Large Dark Wind Chime (Tritone Westy)
Justine Frank
Roee Rosen
Sweet Sweat
Olaf Holzapfel
Nakano Sakaue
Verhandelte Zeichen
Solution 11–167
The Book of Scotlands
Klaus Weber
Ian Wallace
A Literature of Images
Daniel Birnbaum, Anders Olsson
As a Weasel Sucks Eggs
An Essay on Melancholy and Cannibalism
Agnieszka Kurant
Unknown Unknown
Antje Majewski
My Very Gestures
Markus Miessen (Ed.)
East Coast Europe
Diedrich Diederichsen
On (Surplus) Value in Art
Keren Cytter
The seven most exciting hours of Mr. Trier’s life in twenty-four chapters
M/M (Paris)
Live Recorded Delay
An Archive of “Il Tempo del Postino”
Alexis Vaillant (Ed.)
Maria Lind, Hito Steyerl (Eds.)
The Greenroom
Reconsidering the Documentary and Contemporary Art #1
Daniel Birnbaum, Isabelle Graw (Eds.)
Canvases and Careers Today
Criticism and Its Markets
Ingo Niermann, Jens Thiel (Eds.)
Solution 9
The Great Pyramid
Jörg Heiser
All of a Sudden
Things that Matter in Contemporary Art
Mariana Castillo Deball
These Ruins You See / Estas ruinas que ves
Daniel Birnbaum
The Hospitality of Presence
Joseph Backstein, Daniel Birnbaum, Sven-Olov Wallenstein (Eds.)
Thinking Worlds
The Moscow Conference on Philosophy, Politics, and Art
Daniel Birnbaum, Isabelle Graw (Eds.)
Under Pressure
Pictures, Subjects, and the New Spirit of Capitalism
Nomeda & Gediminas Urbonas
Villa Lituania
Perros Negros, Toasting Agency (Eds.)
Otra de vaqueros
Michael Sailstorfer
Markus Miessen (Ed.)
The Violence of Participation
Julia Moritz, Nicolaus Schafhausen (Eds.)
Die Frage des Tages / The Question of the Day
Peter Friedl
Working at Copan / Trabalhando no Copan
Nikolaus Hirsch
On Boundaries
Bernadette Corporation
Eine Pinot Grigio, Bitte
Ina Blom
On the Style Site
Art, Sociality, and Media Culture
Daniel Birnbaum
With a Special Project by Paul Chan
Łukasz Ronduda, Florian Zeyfang (Eds.)
1,2,3… Avant-Gardes
Film/Art between Experiment and Archive
Mariana Castillo Deball, Irene Kopelman (Eds.)
A for Alibi
Aleksandra Mir
The Meaning of Flowers
Noah Horowitz, Brian Sholis (Eds.)
The Uncertain States of America Reader
Manuel Raeder
Popurri: Agenda 2007
Tanya Leighton (Ed.)
In The Poem About Love You Don't Write The Word Love
Jean-Max Colard, Thomas Lélu (Eds.)
Will Bradley, Mika Hannula, Cristina Ricupero, Superflex (Eds.)
Self-Organisation / counter-economic strategies
Bik Van der Pol
Fly Me To The Moon
Desiree Heiss, Ines Kaag, Manuel Raeder (Eds.)
BLESS. Celebrating Ten Years of Themelessness: N° 00 – N° 29
Jennifer Higgie
Katja Eydel
Model ve Sembol
Die Erfindung der Türkei/The Invention of Turkey
Josephine Meckseper
The Josephine Meckseper Catalogue No. 2
Hans Ulrich Obrist
Michael Beutler
Christopher Williams
Program. For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision I)
Tue Greenfort
Daniel Birnbaum
Rirkrit Tiravanija, PLAN.b Publishing
Lars Bang Larsen, Cristina Ricupero, Nicolaus Schafhausen (Eds.)
The Populism Catalogue
Antje Majewski, Ingo Niermann (Eds.)
Keren Cytter
The Man Who Climbed Up the Stairs of Life and Found Out They Were Cinema Seats
Anke Kempkes, Kunsthalle Basel (Ed.)
Flesh at War with Enigma
Melik Ohanian
Diango Hernández
Nicolas Bourriaud
Alex Morrison
Giving the Story a Treatment
Jacob Fabricius (Ed.)
The Danish Pavilion – 51st Venice Biennale
Cristina Ricupero, Lars Bang Larsen, Nicolaus Schafhausen (Eds.)
The Populism Reader
M/M (Paris)
Le Grand Livre
Josephine Meckseper
The Josephine Meckseper Catalogue
Charlotte Brandt, Lars Bang Larsen, Jean-Charles Massera, Cristina Ricupero (Eds.)
Fundamentalisms of the New Order
Cerith Wyn Evans
“Cerith Wyn Evans”
Andrew Lee Walker, Rachel K. Ward (Eds.)
Terminal 5
Markus Heinzelmann, Nicolaus Schafhausen (Eds.)
Markus Schinwald
Antje Majewski, Ingo Niermann (Eds.)
Peter Friedl
Four or Five Roses
Vanessa Joan Müller and Nicolaus Schafhausen (Eds.)
Bernhard Willhelm
Gerard Byrne
Books, Magazines, and Newspapers
The Possibility of the Impossible (Vol. I)
The Possibility of the Impossible (Vol. II)
Thomas Eggerer
Michaela Melián
Jean-Charles Massera
Sex, Art, and the Dow Jones
John Kelsey, Aleksandra Mir (Eds.)
Corporate Mentality
Lars Bang Larsen (Ed.)
Sture Johannesson
Nicolaus Schafhausen (Ed.)
Marcel Odenbach
Julia Scher
Always There
Lolita Jablonskiene, Nicolaus Schafhausen (Eds.)
Changing Society: Lithuania
Kai Althoff
Gebärden und Ausdruck
Nicolaus Schafhausen (Ed.)
Anthony Vidler
Über das Unbehagen in der modernen Architektur
Nicolaus Schafhausen (Ed.)
Neue Kunstkritik
Nicolaus Schafhausen (Ed.)
Neue Welt
Karl-Heinz Kohl, Nicolaus Schafhausen (Eds.)
New Heimat
Harun Farocki
Nachdruck / Imprint
Texte / Writings
Isa Genzken
Liam Gillick
five or six
Tom Burr
Low Slung
Jeroen de Rijke / Willem de Rooij
After the Hunt
Susanne Gaensheimer, Nicolaus Schafhausen (Eds.)
Liam Gillick
Eva Grubinger

Merlin Carpenter“The Outside Can’t Go Outside”

Why has there been so much interest in “surplus value” in recent years? In “The Outside Can’t Go Outside,” artist Merlin Carpenter considers how this term has been inserted into contemporary art theory following the financial crisis of 2007/8. The book focuses on the idea that the value of art is located in unpaid mental, educational, and communicational labor that is gradually accrued and then exploited according to the logic of Marx’s central thesis on exploitation. This much-hyped view is rejected in favor of a more rigorous Marxist interpretation of the nature of surplus value, and its role in a systematic law of value.

Carpenter counterposes value to what exists outside of it—a dream, an imaginary, what he describes as a “trance” or the location of revolutionary thought and desires. The outside, however, is not proposed as a physical location, but as an outside inside the body that functions as a line of control within. Moreover, the author suggests that the new revolutionary subjects might be the new groups that form in order to push against control networks, in a reordering of class struggles.

Institut für Kunstkritik Series, edited by Isabelle Graw and Daniel Birnbaum
Design by Surface

May 2018, English
12 x 19 cm, 72 pages, softcover with dust jacket
ISBN 978-3-95679-277-9