Helge Mooshammer, Peter Mörtenböck
Visual Cultures as Opportunity
John Douglas Millar
Brutalist Readings
Essays on Literature
A Conversation at Cabaret Voltaire, Zurich
Jens Hoffmann (Ed.)
United States of Latin America
Simon Battisti, Leah Whitman-Salkin, Åbäke (Eds.)
I Have Left You the Mountain
Lara Favaretto
Ageing Process
Markus Miessen, Yann Chateigné (Eds.)
The Archive as a Productive Space of Conflict
Ina Blom
The Autobiography of Video
The Life and Times of a Memory Technology
Susanne Kriemann
Olivia Plender
Rise Early, Be Industrious
The Ambivalence of a New Visibility
Annette Gilbert (Ed.)
Publishing as Artistic Practice
Frederick Kiesler
Function Follows Vision, Vision Follows Reality
Wendelien van Oldenborgh
Eva Grubinger
Black Diamond Bay
Nav Haq (Ed.)
Syntax and Society
The Abraaj Group Art Prize 2016
John C. Welchman
Past Realization: Essays on Contemporary European Art
XX–XXI, Vol. 1
Chen Zhen
Without going to New York and Paris, life could be internationalized
Isabelle Graw, Ewa Lajer-Burcharth (Eds.)
Painting beyond Itself
The Medium in the Post-medium Condition
Luca Lo Pinto, Nicolaus Schafhausen, Anne-Claire Schmitz (Eds.)
Individual Stories
Shahryar Nashat
Felicity D. Scott
Disorientation: Bernard Rudofsky in the Empire of Signs
Critical Spatial Practice 7
Bulletins of The Serving Library #10
Winter 2015
Boris Ondreička, Nadim Samman (Eds.)
Rare Earth
Jesko Fezer & Studio Experimentelles Design (Eds.)
Öffentliche Gestaltungsberatung—Public Design Support 2011–2016
Roee Rosen
The Blind Merchant
e-flux journal
Benjamin H. Bratton
Dispute Plan to Prevent Future Luxury Constitution
Suzana Milevska (Ed.)
On Productive Shame, Reconciliation, and Agency
Ull Hohn
Foregrounds, Distances
Olafur Eliasson
Baroque Baroque
Mierle Laderman Ukeles
Seven Work Ballets
Tom Burr
Anthology: Writings 1991–2015
Dexter Sinister
Universal Serial Bus
Jos de Gruyter & Harald Thys
Fine Arts
Jos de Gruyter & Harald Thys
Die Schmutzigen Puppen von Pommern
Black Transparency
The Right to Know in the Age of Mass Surveillance
Cord Riechelmann, Brigitte Oetker (Eds.)
Toward an Aesthetics of Living Beings /
Zu einer Ästhetik des Lebendigen
Jahresring 62
Mario Pfeifer
Approximation in the digital age for a humanity condemned to disappear
Cosmin Costinaş, Inti Guerrero, Lesley Ma (Eds.)
A Journal of the Plague Year
Keren Cytter, Nora Schultz
Christiane Erharter, Hans Scheirl, Dietmar Schwärzler, Ruby Sircar (Eds.)
Pink Labor on Golden Streets
Queer Art Practices
Michel Butor, Dan Graham
Ingo Niermann
Solution 264–274: Drill Nation
Joana Hadjithomas & Khalil Joreige
The Rumors of the World
Rethinking Trust in the Age of the Internet
Marcos Lutyens
Memoirs of a Hypnotist
100 Days
Tony Conrad
Two Degrees of Separation / Über zwei Ecken
Irena Haiduk
Alhena Katsof, Dana Yahalomi
Solution 263: Double Agent
Bulletins of The Serving Library #9
Summer 2015
Mai Abu ElDahab (Ed.)
Final Vocabulary
Anne Lacaton, Jean-Philippe Vassal
Freedom of Use
Eyal Weizman
The Roundabout Revolutions
Critical Spatial Practice 6
Dora García
Mad Marginal Cahier #4
I See Words, I Hear Voices
Sarah Entwistle
Please send this book to my mother
Politische Landschaft/Political Landscape
Kunst, Widerstand, Salzkammergut
Christoph Behnke, Cornelia Kastelan, Valérie Knoll, Ulf Wuggenig (Eds.)
Art in the Periphery of the Center
Nikolaus Hirsch, Antto Melasniemi, Michel Müller, Rirkrit Tiravanija (Eds.)
Vincent Fecteau
Vincent Fecteau
Vanessa Joan Müller, Nicolaus Schafhausen (Eds.)
The Brancusi Effect
An Archival Impulse
Two Days after Forever
A Reader on the Choreography of Time
Christodoulos Panayiotou
The Cyprus Pavilion, Biennale Arte 2015
Filip Markiewicz
Paradiso Lussemburgo
Mario Pfeifer, Kamran Sadeghi
Benjamin Seror
Mime Radio
Jaanus Samma
Not Suitable for Work. A Chairman’s Tale
Christoph Cox, Jenny Jaskey, Suhail Malik (Eds.)
Realism Materialism Art
Jens Hoffmann
Theater of Exhibitions
Eva Grubinger, Jörg Heiser (Eds.)
Sculpture Unlimited 2
Materiality in Times of Immateriality
Flaka Haliti
Speculating on the Blue
Sabine Folie (Ed.)
Gesammelte Wörter und Bilder
Collected Words and Images
Ane Hjort Guttu
eating or opening a window or just walking dully along
Joseph Kellner (Ed.)
Furniture of the Fogo Island Inn
Mathilde ter Heijne
Performing Change
Armando Lulaj
Albanian Trilogy
A Series of Devious Stratagems
Pierre Hermé
The Architecture of Taste
e-flux journal
The Internet Does Not Exist
Mirjam Thomann
Rike Frank, Grant Watson (Eds.)
Open Letter
Gabriel Lester
Forced Perspectives
Inke Arns (Ed.)
World of Matter
Jutta Koether
Artist Novels
The Book Lovers Publication
Yto Barrada
Before History
The Abraaj Group Art Prize 2015
Taiping Tianguo: A History of Possible Encounters
Ai Weiwei, Frog King Kwok, Tehching Hsieh, and Martin Wong in New York
Amar Kanwar
The Sovereign Forest
Olaf Holzapfel
die Technik des Landes
(The Technology of the Land)
Sophie von Olfers, Mark von Schlegell (Eds.)
Hamlet, mise-en-scène
EXTRA TROUBLE—Jack Smith in Frankfurt
Christiane Kruse, Antje Majewski (Eds.)
Art, Nature, and Ethics
Bulletins of The Serving Library #8
Winter 2014
Lou Cantor, Clemens Jahn (Eds.)
Turning Inward
João Ribas (Ed.)
In the Holocene
Nicole Brenez
“We Support Everything since the Dawn of Time That Has Struggled and Still Struggles”
Introduction to Lettrist Cinema
K. D.
Mikkel Bolt Rasmussen
Playmates and Playboys at a Higher Level
J. V. Martin and the Situationist International
On the Table
F. T. Marinetti and Fillìa
The Futurist Cookbook
Axel Wieder, Florian Zeyfang (Eds.)
Open Form
Space, Interaction, and the Tradition of Oskar Hansen
Noon on the Moon
Poetic Series #4
Renate Lorenz (Ed.)
Not Now! Now!
Chronopolitics, Art & Research
Stephanie Kloss
Felix Ensslin, Charlotte Klink (Eds.)
Aesthetics of the Flesh
Jos de Gruyter & Harald Thys
Das Wunder des Lebens
Carsten Höller
Kevin Schmidt
EDM House
Michael Tedja
Manfred Hermes
Hystericizing Germany
Fassbinder, Alexanderplatz
Ilit Azoulay
Finally Without End
Jenni Tischer
Gerry Bibby
The Drumhead
Piper Marshall (Ed.)
Descartes’ Daughter
Paul Sietsema
At the hour of tea
Dominic Eichler, Brigitte Oetker (Eds.)
Jahresring 61
Ana Teixeira Pinto (Ed.)
The Reluctant Narrator
A Survey of Narrative Practices Across Media
Josef Bauer
Werke 1965–Heute
Works 1965–Today
Leander Schönweger
Die Nebel lichten sich
Mark von Schlegell
Ickles, Etc.
Critical Spatial Practice 5
Maria Lind, What, How & for Whom/WHW (Eds.)
Art and the F Word
Reflections on the Browning of Europe
Maren Butte, Kirsten Maar, Fiona McGovern, Marie-France Rafael, Jörn Schafaff (Eds.)
Assign & Arrange
Methodologies of Presentation in Art and Dance
Bulletins of The Serving Library #7
Summer 2014
Isa Genzken
I'm Isa Genzken, the Only Female Fool
Krüger & Pardeller
Liz Magic Laser
Public Relations / Öffentlichkeitsarbeit
Ines Lechleitner
The Imagines
Thomas Thiel (Ed.)
Museum Off Museum
Yarisal & Kublitz
Bling blang, ching chang, give me some of that yin yang
Pauline Boudry/Renate Lorenz
Eva Grubinger
Café Nihilismus
Michael Schindhelm
Solution 262: Lavapolis
Elke Gaugele (Ed.)
Aesthetic Politics in Fashion
Katja Eydel
Schattenfuge / Shadow Gap
Beatrice von Bismarck, Rike Frank, Benjamin Meyer-Krahmer, Jörn Schafaff, Thomas Weski (Eds.)
Cultures of the Curatorial 2
Timing: On the Temporal Dimension of Exhibiting
Lisa Oppenheim
Works 2003–2013
Binna Choi, Maria Lind, Emily Pethick, Nataša Petrešin-Bachelez (Eds.)
Cluster: Dialectionary
Florian Zeyfang
Slow Narration Moving Still
Cristina Ricupero, Defne Ayas, Amira Gad (Eds.)
The Crime Was Almost Perfect
Yael Bartana
Two Minutes of Standstill
A Collective Performance by Yael Bartana
Fear of Language
Poetic Series #3
Hu Fang
Dear Navigator
Ulrike Grossarth
Wäre ich von Stoff, ich würde mich färben /
Were I Made of Matter, I Would Color
Michel Auder
Stories, Myths, Ironies, and Other Songs: Conceived, Directed, Edited, and Produced by M. Auder
Tone Hansen, Marit Paasche (Eds.)
We Are Living on a Star
Tone Hansen, Lars Bang Larsen (Eds.)
The Phantom of Liberty
Contemporary Art and the Pedagogical Paradox
Ken Okiishi, Annie Godfrey Larmon, Alise Upitis
The Very Quick of the Word
Carola Dertnig, Felicitas Thun-Hohenstein (Eds.)
Performing the Sentence
Research and Teaching in Performative Fine Arts
Carola Dertnig, Diedrich Diederichsen, Tom Holert, et al. (Eds.)
Troubling Research
Performing Knowledge in the Arts
Roee Rosen
Maxim Komar-Myshkin: Vladimir’s Night
Chantal Pontbriand (Ed.)
How to Do Things with[out] Words
Victor Burgin
Five Pieces for Projection
steirischer herbst, Florian Malzacher (Eds.)
Truth Is Concrete
A Handbook for Artistic Strategies in Real Politics
Keller Easterling
Critical Spatial Practice 4
Silke Otto-Knapp
Questions of Travel
J. Parker Valentine
e-flux journal
Jalal Toufic
Second edition
Peacocks with Hiccups
Poetic Series #2
Hito Steyerl
Too Much World
The Films of Hito Steyerl
Armen Avanessian, Andreas Töpfer
Speculative Drawing: 2011–2014
The Architecture of Public Truth
Ion Grigorescu
Diaries 1970–1975
Brian O’Doherty
The Crossdresser’s Secret
Beatriz Colomina
Manifesto Architecture: The Ghost of Mies
Critical Spatial Practice 3
Georg Schöllhammer, Ruben Arevshatyan (Eds.)
Sweet Sixties
Specters and Spirits of a Parallel Avant-Garde
Bulletins of The Serving Library #6
Winter 2013
Hans Ulrich Obrist
Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground
Brian Dillon
Objects in This Mirror
Kim Gordon
Is It My Body?
Selected Texts
Martin Herbert
The Uncertainty Principle
Nina Canell
Stray Warmings
Jan Verwoert
Melissa Gordon
Material Evidence
Model House Research Group (Ed.)
Transcultural Modernisms
Alessandro Petti, Sandi Hilal, Eyal Weizman
Architecture after Revolution
Petra Reichensperger (Ed.)
Terms of Exhibiting (from A to Z) /
Begriffe des Ausstellens (von A bis Z)
Peter Wächtler
Come On
Haegue Yang
Dare to Count Phonemes and Graphemes
Jakob Schillinger (Ed.)
The Sixth Year
Issa Samb
Issa Samb and the Undecipherable Form
Aleksandra Mir
The Space Age
Ion Grigorescu
Omul cu o singur camer / The Man with a Single Camera
Geta Brătescu
Atelierul | The Studio
Andrea Pichl
Andrea Pichl
Daniel Maier-Reimer
The Italian Journeys of
Four Walks by Daniel Maier-Reimer, 2012–2013
Rémy Zaugg
The Art Museum of My Dreams
or A Place for the Work and the Human Being
Chantal Pontbriand
The Contemporary, the Common
Art in a Globalizing World
Kirsty Bell
The Artist’s House
From Workplace to Artwork
Attention Economy
Jahresring 60: Jahrbuch für moderne Kunst
The Atlantis Search Engine
Poetic Series #1
John Smith
John Smith
Nina Möntmann (Ed.)
A Reader on Art and Ethics
Gavin Butt, Irit Rogoff
Visual Cultures as Seriousness
Astrid Schmetterling, Lynn Turner
Visual Cultures as Recollection
Jorella Andrews, Simon O'Sullivan
Visual Cultures as Objects and Affects
Barry Schwabsky
Words for Art
Criticism, History, Theory, Practice
e-flux journal
Martha Rosler
Culture Class
Deborah Ligorio
Survival Kits
Karen van den Berg, Ursula Pasero (Eds.)
Art Production beyond the Art Market?
Zin Taylor
Lichen Voices/Stripes and Dots
Douglas Coupland
Shopping in Jail
Ideas, Essays, and Stories for the Increasingly Real Twenty-First Century
Ekaterina Degot, David Riff (Eds.)
Monday Begins on Saturday
Anaël Lejeune, Olivier Mignon, Raphaël Pirenne (Eds.)
French Theory and American Art
Sven Lütticken
History in Motion
Time in the Age of the Moving Image
Diedrich Diederichsen, Anselm Franke (Eds.)
The Whole Earth
California and the Disappearance of the Outside
Cerith Wyn Evans
The What If?... Scenario (after LG)
Bulletins of The Serving Library #5
Summer 2013
Kate Newby
Let the other thing in
Marie-Louise Ekman
No Is Not an Answer
On the Work of Marie-Louise Ekman
Milena Hoegsberg, Cora Fisher (Eds.)
Living Labor
Marysia Lewandowska, Laurel Ptak (Eds.)
Undoing Property?
Ingo Niermann (Ed.)
Solution 247–261
Greg Lynn (Ed.)
Archaeology of the Digital
Hilke Wagner, Axel Wieder (Eds.)
Susanne Kriemann
Alex Coles, Catharine Rossi (Eds.)
EP Vol. 1
The Italian Avant-Garde: 1968–1976
Joanna Warsza (Ed.)
Ministry of Highways
A Guide to the Performative Architecture of Tbilisi
Donatien Grau
The Age of Creation
Dénes Farkas
Evident in Advance
Joshua Simon
Gardar Eide Einarsson
Versuchsstation des Weltuntergangs
Mara Ambrožič, Angela Vettese (Eds.)
Art as a Thinking Process
Visual Forms of Knowledge Production
Thomas Thiel (Ed.)
Thomas Keenan, Tirdad Zolghadr (Eds.)
The Human Snapshot
Dorothee Böhm, Petra Lange-Berndt, Dietmar Rübel (Eds.)
A World of Wild Doubt
Charlotte Birnbaum
On the Table
Pies, Pâtés, and Pastries: Secrets Old and New of the Art of Cooking
T. J. Demos
Return to the Postcolony
Specters of Colonialism in Contemporary Art
Jos de Gruyter & Harald Thys
M HKA 08 02 13 - 19 05 13
Marcel Duchamp/Ulf Linde
De ou par Marcel Duchamp par Ulf Linde
Mai Abu ElDahab (Ed.)
Behave Like an Audience
Apolonija Šušteršič
Selected Projects, 1995–2012
Clara Meister (Ed.)
Compilation of Translations: One Year at Ludlow 38
Jorge Pardo
Beatrice Gibson
The Tiger's Mind
Sharon Lockhart
Sharon Lockhart | Noa Eshkol
Bulletins of The Serving Library #4
Winter 2012
A Variation on Powers of Ten
Ruth Buchanan
The weather, a building
Markus Miessen, Chantal Mouffe
The Space of Agonism
Critical Spatial Practice 2
Lene Berg
Lene Berg
Katja Gretzinger (Ed.)
In a Manner of Reading Design
Maria Fusco, Ursula Mayer
Jessica Warboys
Zak Kyes
Zak Kyes Working With...
Steve Rushton
Masters of Reality
Omer Fast
5,000 Feet Is the Best
Isabelle Graw, Daniel Birnbaum, Nikolaus Hirsch (Eds.)
Thinking through Painting
Reflexivity and Agency beyond the Canvas
Tirdad Zolghadr
Tom McCarthy, Simon Critchley, et al.
The Mattering of Matter
Documents from the Archive of the International Necronautical Society
Valérie Knoll, Hannes Loichinger, Magnus Schäfer (Eds.)
Dealing with—Some Texts, Images, and Thoughts Related to American Fine Arts, Co.
Hito Steyerl
e-flux journal
The Wretched of the Screen
Nikolaus Hirsch, Markus Miessen (Eds.)
What Is Critical Spatial Practice?
Critical Spatial Practice 1
Fabian Marti, Cristina Ricupero (Eds.)
Cosmic Laughter No. 1
Triple Canopy (Ed.)
Invalid Format
An Anthology of Triple Canopy, Vol. 2
Beatrice von Bismarck, Jörn Schafaff, Thomas Weski (Eds.)
Cultures of the Curatorial
Bulletins of The Serving Library #3
Summer 2012
Mai Abu ElDahab (Ed.)
After Berkeley
Objectif Exhibitions, 2010–2011
Keren Cytter
D.I.E. Now
The True Story of John Webber and His Endless Struggle with the Table of Content
Jonatan Habib Engqvist, Annika Enqvist, Michele Masucci, Lisa Rosendahl, Cecilia Widenheim (Eds.)
Work, Work, Work
A Reader on Art and Labour
Akram Zaatari
A Conversation with an Imagined Israeli Filmmaker Named Avi Mograbi
Erik Niedling with Ingo Niermann
The Future of Art: A Diary
Boris Groys (Ed.)
e-flux journal
Moscow Symposium
Conceptualism Revisited
Johanna Burton, Lynne Cooke, Josiah McElheny (Eds.)
CCS Readers: Perspectives on Art and Culture
Juliane Rebentisch
Aesthetics of Installation Art
Maria Lind (Ed.)
Performing the Curatorial
Within and Beyond Art
Actors, Agents and Attendants
Social Housing—Housing the Social: Art, Property and Spatial Justice
Maria Loboda
Oh, Wilderness
Simon Starling / Superflex
Reprototypes, Triangulations and Road Tests
Paul Sietsema
interviews on films and works
Nikolaus Hirsch, Shveta Sarda (Eds.)
Cybermohalla Hub
Martin Beck
The Aspen Complex
Matthias Ulrich (Ed.)
Playing the City: Interviews
Yorgos Sapountzis
A statue has remembered me / Eine Statue hat sich an mich erinnert
Marianne Heier
Alex Coles
The Transdisciplinary Studio
Tobias Spichtig
Blue, Red, and Green
Eva Grubinger
finger in the pie
Thomas Keenan, Eyal Weizman
Mengele's Skull: The Advent of a Forensic Aesthetics
Charlotte Birnbaum (Ed.)
On the Table
The Beauty of the Fold: A Conversation with Joan Sallas
Raimundas Malašauskas
Paper Exhibition
Selected Writings by Raimundas Malašauskas
Carson Chan, Nadim Samman (Eds.)
Higher Atlas/Au-delà de l’Atlas
The Marrakech Biennale [4] in Context
Charlotte Moth
Bleckede 2009 / Rochechouart 2011
Bulletins of The Serving Library #2
Winter 2011
Maria Lind, Olav Velthuis (Eds.)
Contemporary Art and Its Commercial Markets
A Report on Current Conditions and Future Scenarios
Flaca / Tom Humphreys
Flaca / Tom Humphreys
Tariq Ramadan
On Super-Diversity
Eva Grubinger, Jörg Heiser (Eds.)
Sculpture Unlimited
Hassan Khan
The Agreement
Five Stories by Hassan Khan
Design Act
Socially and Politically Engaged Design Today—Critical Roles and Emerging Tactics
Isabelle Graw, Daniel Birnbaum, Nikolaus Hirsch (Eds.)
Art and Subjecthood
The Return of the Human Figure in Semiocapitalism
Markus Miessen, Andrea Phillips (Eds.)
Actors, Agents and Attendants
Caring Culture: Art, Architecture and the Politics of Health
Synne Bull, Marit Paasche (Eds.)
Urban Images
Unruly Desires in Film and Architecture
Tauba Auerbach
Martti Kalliala with Jenna Sutela and Tuomas Toivonen
Solution 239–246
Finland: The Welfare Game
Chris Evans
Goofy Audit
Markus Miessen
The Nightmare of Participation
(Crossbench Praxis as a Mode of Criticality)
Binna Choi, Axel Wieder (Eds.)
Casco Issues XII: Generous Structures
Mai Abu ElDahab, Binna Choi, Emily Pethick (Eds.)
Circular Facts
Antje Majewski
The World of Gimel
How to Make Objects Talk
Juan A. Gaitán, Nicolaus Schafhausen, Monika Szewczyk (Eds.)
Ingo Niermann with Erik Niedling
The Future of Art: A Manual
Mai Abu ElDahab (Ed.)
From Berkeley to Berkeley
Objectif Exhibitions, 2008-2010
Marit Paasche, Judy Radul (Eds.)
A Thousand Eyes
Media Technology, Law, and Aesthetics
Pauline J. Yao, Rania Ho, Wang Wei (Eds.)
3 Years: Arrow Factory
Merlin Carpenter
The Opening
Mark von Schlegell
New Dystopia
Charlotte Birnbaum (Ed.)
On the Table
Three Banquets for a Queen
R. H. Quaytman
Brice Dellsperger
Brice Dellsperger’s Body Double
tranzit.hu (Ed.)
Art Always Has Its Consequences
Artists’ Texts from Croatia, Hungary, Poland, Serbia, 1947–2009
Julieta Aranda, Brian Kuan Wood, Anton Vidokle (Eds.)
e-flux journal
Are You Working Too Much?
Post-Fordism, Precarity, and the Labor of Art
Bulletins of The Serving Library #1
Summer 2011
Ewa Lajer-Burcharth
Chardin Material
Sebastian Cichocki, Galit Eilat (Eds.)
A Cookbook for Political Imagination
Birgit Megerle
Birgit Megerle
Andreas Eriksson
Nordic Pavilion
54th Venice Biennale, 2011
Dora García
Mad Marginal Cahier #2
The Inadequate
Zin Taylor
Brian Dillon
Sung Hwan Kim
Ki-da Rilke
Christoph Schlingensief
German Pavilion
54th Venice Biennale, 2011
Armen Avanessian, Luke Skrebowski (Eds.)
Aesthetics and Contemporary Art
Solution 214–238
The Book of Japans
Libia Castro & Ólafur Ólafson
Under Deconstruction
Icelandic Pavilion
54th Venice Biennale, 2011
Fia Backström
Nordic Pavilion
54th Venice Biennale, 2011
Markus Weisbeck
Anton Vidokle
New York Conversations
Hans Dickel and Lisa Puyplat (Eds.)
Reading Susanne Kriemann
Wendelien van Oldenborgh
A Well Respected Man, or Book of Echoes
Joshua Simon (Ed.)
Solution 196–213
United States of Palestine-Israel
April Lamm (Ed.)
Hans Ulrich Obrist
Everything You Always Wanted to Know About Curating*
*But Were Afraid to Ask
Miki Kratsman
all about us
Martin Ebner, Florian Zeyfang (Eds.)
Poor Man’s Expression
Technology, Experimental Film, Conceptual Art
A Compendium in Texts and Images
Valérie Mannaerts
An Exhibition—Another Exhibition
Alexis Vaillant (Ed.)
Fetishes of Crisis
Gabriel Kuri
join the dots and make a point
Knut Åsdam
The long gaze, the short gaze
Søren Grammel (Ed.)
Der symbolische Auftraggeber/The Symbolic Commissioner
Mario Pfeifer
Reconsidering The new Industrial Parks near Irvine, California by Lewis Baltz, 1974
by Mario Pfeifer, 2009
Alexis Vaillant (Ed.)
Options with Nostrils
e-flux journal
Boris Groys
Going Public
Maria Fusco
The Mechanical Copula
Maria Lind
Selected Maria Lind Writing
Hu Fang
Garden of Mirrored Flowers
John Kelsey
Rich Texts
Selected Writing for Art
Jan Verwoert
Tell Me What You Want, What You Really, Really Want
Shahryar Nashat
Downscaled and Overthrown
Andrea Geyer/Katya Sander
Meaning is what hides the instability of one’s position
Ingo Niermann
Solution 186–195
Dubai Democracy
Internal Necessity
A Reader Tracing the Inner Logics of the Contemporary Art Field
Agnieszka Kurant/Aleksandra Wasilkowska
Emergency Exit
Magnus af Petersens (Ed.)
Keren Cytter
Jean-Yves Leloup
Digital Magma
Angelika Burtscher, Judith Wielander (Eds.)
“where art leaves its own field and becomes visible as part of something else”
Under One Umbrella
Retroperspective Home N° 30 – N° 41
Julieta Aranda, Brian Kuan Wood, Anton Vidokle (Eds.)
e-flux journal
What Is Contemporary Art?
Daniel Birnbaum, Isabelle Graw (Eds.)
The Power of Judgment
A Debate on Aesthetic Critique
Auguste Orts
Moyra Davey
Speaker Receiver
Nav Haq, Tirdad Zolghadr (Eds.)
Lapdogs of the Bourgeoisie
Class Hegemony in Contemporary Art
Maria Lind (Ed.)
Philippe Parreno
Haegue Yang
Siblings and Twins
Raqs Media Collective
Julika Rudelius
Soft Intrusion
Tirdad Zolghadr
Solution 168–185
Peter Friedl
Secret Modernity
Selected Writings and Interviews 1981–2009
Peter Friedl
Die heimliche Moderne
Ausgewählte Texte und Interviews 1981–2009
Anselm Franke (Ed.)
Animism (Volume I)
Agnieszka Brzezanska
L’artiste, le modèle et la peinture
Dieter Daniels, Gunther Reisinger (Eds.)
Net Pioneers 1.0
Contextualizing Early Net-Based Art
Isabelle Graw
High Price
Art Between the Market and Celebrity Culture
Joseph Grigely
Exhibition Prosthetics
Bettina Funcke
Pop or Populus
Art Between High and Low
Magnus Ericson, Martin Frostner, Zak Kyes, Sara Teleman, Jonas Williamsson (Eds.)
Iaspis Forum on Design and Critical Practice
The Reader
Friedrich Kunath
Home wasn’t built in a day
The Otolith Group
A Long Time Between Suns
Helke Bayrle
Portikus Under Construction
Dominic Eichler
Written All Over Us
Dexter Sinister
Portable Document Format
Julieta Aranda, Brian Kuan Wood, Anton Vidokle (Eds.)
e-flux journal reader 2009
Céline Condorelli
Support Structures
Sylvère Lotringer (Ed.)
The German Issue
Diango Hernández
Losing You Tonight
Anton Vidokle
Produce, Distribute, Discuss, Repeat
Nikolaus Hirsch, Wolfgang Lorch, Andrea Wandel (Eds.)
Gleis 17/Track 17
Jean-Luc Blanc
Opera Rock
Dave Hullfish Bailey
What’s Left
Sabine Bitter & Helmut Weber
Autogestion, or Henri Lefebvre in New Belgrade
Nikolaus Hirsch, Philipp Misselwitz, Markus Miessen, Matthias Görlich (Eds.)
Institution Building
Artists, Curators, Architects in the Struggle for Institutional Space
Cecilia Widenheim (Ed.)
Voice Over
On Staging and Performative Strategies in Contemporary Art
Mike Bouchet
Selected Works 1989-2009
Jörg Heiser (Ed.)
Fare una scenata / Making a Scene
Liam Gillick
How Are You Going to Behave? A Kitchen Cat Speaks
Wie würden Sie sich verhalten? Eine Küchenkatze spricht
Loris Gréaud
Trajectories and Destinations
Volume 1
Sven Lütticken
Idols of the Market
Modern Iconoclasm and the Fundamentalist Spectacle
Ingo Niermann
Solution 1–10
Simon Dybbroe Møller
Nicolas Bourriaud
The Radicant
Klaus Weber
Large Dark Wind Chime (Tritone Westy)
Justine Frank
Roee Rosen
Sweet Sweat
Olaf Holzapfel
Nakano Sakaue
Verhandelte Zeichen
Solution 11–167
The Book of Scotlands
Klaus Weber
Ian Wallace
A Literature of Images
Daniel Birnbaum, Anders Olsson
As a Weasel Sucks Eggs
An Essay on Melancholy and Cannibalism
Agnieszka Kurant
Unknown Unknown
Antje Majewski
My Very Gestures
Markus Miessen (Ed.)
East Coast Europe
Diedrich Diederichsen
On (Surplus) Value in Art
Keren Cytter
The seven most exciting hours of Mr. Trier’s life in twenty-four chapters
M/M (Paris)
Live Recorded Delay
An Archive of “Il Tempo del Postino”
Alexis Vaillant (Ed.)
Maria Lind, Hito Steyerl (Eds.)
The Greenroom
Reconsidering the Documentary and Contemporary Art #1
Daniel Birnbaum, Isabelle Graw (Eds.)
Canvases and Careers Today
Criticism and Its Markets
Ingo Niermann, Jens Thiel (Eds.)
Solution 9
The Great Pyramid
Mariana Castillo Deball
These Ruins You See / Estas ruinas que ves
Jörg Heiser
All of a Sudden
Things that Matter in Contemporary Art
Daniel Birnbaum
The Hospitality of Presence
Joseph Backstein, Daniel Birnbaum, Sven-Olov Wallenstein (Eds.)
Thinking Worlds
The Moscow Conference on Philosophy, Politics, and Art
Daniel Birnbaum, Isabelle Graw (Eds.)
Under Pressure
Pictures, Subjects, and the New Spirit of Capitalism
Nomeda & Gediminas Urbonas
Villa Lituania
Perros Negros, Toasting Agency (Eds.)
Otra de vaqueros
Michael Sailstorfer
Markus Miessen (Ed.)
The Violence of Participation
Julia Moritz, Nicolaus Schafhausen (Eds.)
Die Frage des Tages / The Question of the Day
Peter Friedl
Working at Copan / Trabalhando no Copan
Nikolaus Hirsch
On Boundaries
Bernadette Corporation
Eine Pinot Grigio, Bitte
Ina Blom
On the Style Site
Art, Sociality, and Media Culture
Daniel Birnbaum
With a Special Project by Paul Chan
Łukasz Ronduda, Florian Zeyfang (Eds.)
1,2,3… Avant-Gardes
Film/Art between Experiment and Archive
Mariana Castillo Deball, Irene Kopelman (Eds.)
A for Alibi
Noah Horowitz, Brian Sholis (Eds.)
The Uncertain States of America Reader
Aleksandra Mir
The Meaning of Flowers
Manuel Raeder
Popurri: Agenda 2007
Tanya Leighton (Ed.)
In The Poem About Love You Don't Write The Word Love
Will Bradley, Mika Hannula, Cristina Ricupero, Superflex (Eds.)
Self-Organisation / counter-economic strategies
Jean-Max Colard, Thomas Lélu (Eds.)
Bik Van der Pol
Fly Me To The Moon
Desiree Heiss, Ines Kaag, Manuel Raeder (Eds.)
BLESS. Celebrating Ten Years of Themelessness: N° 00 – N° 29
Jennifer Higgie
Katja Eydel
Model ve Sembol
Die Erfindung der Türkei/The Invention of Turkey
Josephine Meckseper
The Josephine Meckseper Catalogue No. 2
Hans Ulrich Obrist
Michael Beutler
Christopher Williams
Program. For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision I)
Tue Greenfort
Daniel Birnbaum
Rirkrit Tiravanija, PLAN.b Publishing
Lars Bang Larsen, Cristina Ricupero, Nicolaus Schafhausen (Eds.)
The Populism Catalogue
Antje Majewski, Ingo Niermann (Eds.)
Keren Cytter
The Man Who Climbed Up the Stairs of Life and Found Out They Were Cinema Seats
Anke Kempkes, Kunsthalle Basel (Ed.)
Flesh at War with Enigma
Melik Ohanian
Diango Hernández
Nicolas Bourriaud
Alex Morrison
Giving the Story a Treatment
Jacob Fabricius (Ed.)
The Danish Pavilion – 51st Venice Biennale
Cristina Ricupero, Lars Bang Larsen, Nicolaus Schafhausen (Eds.)
The Populism Reader
M/M (Paris)
Le Grand Livre
Josephine Meckseper
The Josephine Meckseper Catalogue
Charlotte Brandt, Lars Bang Larsen, Jean-Charles Massera, Cristina Ricupero (Eds.)
Fundamentalisms of the New Order
Cerith Wyn Evans
“Cerith Wyn Evans”
Andrew Lee Walker, Rachel K. Ward (Eds.)
Terminal 5
Markus Heinzelmann, Nicolaus Schafhausen (Eds.)
Markus Schinwald
Antje Majewski, Ingo Niermann (Eds.)
Peter Friedl
Four or Five Roses
Vanessa Joan Müller and Nicolaus Schafhausen (Eds.)
Bernhard Willhelm
Gerard Byrne
Books, Magazines, and Newspapers
The Possibility of the Impossible (Vol. I)
The Possibility of the Impossible (Vol. II)
Thomas Eggerer
Michaela Melián
Jean-Charles Massera
Sex, Art, and the Dow Jones
John Kelsey, Aleksandra Mir (Eds.)
Corporate Mentality
Lars Bang Larsen (Ed.)
Sture Johannesson
Nicolaus Schafhausen (Ed.)
Marcel Odenbach
Julia Scher
Always There
Lolita Jablonskiene, Nicolaus Schafhausen (Eds.)
Changing Society: Lithuania
Kai Althoff
Gebärden und Ausdruck
Nicolaus Schafhausen (Ed.)
Anthony Vidler
Über das Unbehagen in der modernen Architektur
Nicolaus Schafhausen (Ed.)
Neue Kunstkritik
Nicolaus Schafhausen (Ed.)
Neue Welt
Karl-Heinz Kohl, Nicolaus Schafhausen (Eds.)
New Heimat
Harun Farocki
Nachdruck / Imprint
Texte / Writings
Isa Genzken
Liam Gillick
five or six
Tom Burr
Low Slung
Jeroen de Rijke / Willem de Rooij
After the Hunt
Susanne Gaensheimer, Nicolaus Schafhausen (Eds.)
Liam Gillick
Eva Grubinger
Martin Herbert
Tell Them I Said No

Nav Haq, Tirdad Zolghadr (Eds.)Lapdogs of the Bourgeoisie
Class Hegemony in Contemporary Art

Edited by Nav Haq and Tirdad Zolghadr
Contributions by Charlotte Bydler, Neil Cummings, Annika Eriksson, Chris Evans, Liam Gillick, Nav Haq, San Keller, Hassan Khan, Erden Kosova, Dr. Suhail Malik, Marion von Osten, Natascha Sadr Haghighian, Dr. Malcolm Quinn, Tirdad Zolghadr

Lapdogs of the Bourgeoisie investigates the latent issue of class underlying the field of contemporary visual art. On the one hand, it raises the question of whether a given socioeconomic background still helps define your artistic career—and to which point the said career might reflect or consolidate the hierarchies in question. On the other hand, the project asks whether the traditional analytical tools at our disposal are helpful in such an examination of the art world today.

Class inevitably raises awkward questions regarding the very participants, their backgrounds, patrons, and ideological partialities. This is perhaps the reason why the role of class structure has been so easily overlooked in the production and presentation of contemporary art, especially so in an era where artists are coaxed into anthropological framings of their practice. What was it that made gender, sexuality, ethnicity, and nationality eclipse the class issue with such ease? Lapdogs of the Bourgeoisie presents a collaborative project with a number of practitioners that scrutinize their own positions, bias, and gaze within the hierarchy of cultural production. It seeks to identify the levels of affect class has in the field—from artists, through to curators, institutions, and even audiences—and also looks at the hidden anxieties involved, particularly in relation to the actual decision-makers in mainstream art.

Design by Zak Kyes

2010, English
17 x 24 cm, 180 pages, 79 color and 24 b/w ill., wire binding
ISBN 978-1-933128-88-7